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rather waste my time with you

@s0fter-sin / s0fter-sin.tumblr.com

hey, im t! | 25 | aussie | she/her | potsie
a purveyor of good vibes
ao3: softer_sin

It is not enough to get into a comfy sleeping position- one must go through several and spin like a rotisserie chicken to arrive at the position you started with.

[Image ID: Post from wanderTheWaste reading: The first position is different when you come back to it. Hero's journey of going to sleep /End ID]

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Can we talk about Mommy/Daddy issues and how they manifest? I've been throat-punched by both (Hooray) but I'm curious on your thoughts about who in the CODverse might have them and how they manifest.

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Coincidentally, you caught me on the day I'd been throat punched by both, and thus, I am at my best to write this. Genuinely, of all days to receive this ask, it was the day I found myself pondering how my father takes up 1/4 of a page in my family photo album, and then I sat down in the shower for a while.

John can't listen to any recordings of his voice; it makes the hairs on the back of his neck stand up. He sounds like his father. When he barks orders at people, he sounds like his father. Only his voice is followed by the whir of a bullet, not the cracking of a belt. He refuses to shave his face unless necessary because only after he grew a beard did he stop seeing Sr. in the mirror.

Ghost looks more like his mother than his father. On the best of days, it's his saving grace. On the worst of days, he avoids mirrors and winces when he catches his reflection on a screen. He sees women of a similar height and hair colour to his mother and hesitates for just a moment, the word mum stuck in his throat. Grown men can scream in his face, and it means nothing to him. The disappointed tone of a woman older than him makes his hands shake.

Nikolai is at the age where most people just assume his parents are dead. He doesn't know, he'll never know, he'll never want to know. He's detached from the idea of having parents. It's a foreign concept in his mind. He isn't sure if he looks like either of them because he can't remember their faces as well as he used to. It's meaningless to him. He isn't the son they expected him to be, therefore, he won't claim the name of the son they wanted. He tells people his parents are dead, a cancer of some kind. He doesn't care for their sympathies.

Kate's parents are dead; they have been for a while. She doesn't think of them often and when she does, it's typically with love, but she doesn't forget the fact that they missed the best parts of her life. However, their death pushed her to get where she is today, so without the loss, she wouldn't have that life. It leaves her conflicted, and she won't talk about it, but she grieves the moments they missed. She'll drink to their memory, or her sorrow. She decides which depending on how little is in the bottle.

Not a moment goes by where Farah doesn't miss her parents. She doesn't seek replacements in those around her; she never could. But she braids her hair, and she grieves the beauty her mother held. She offers someone kind words of reassurance and feels her father's arms around her, promising her safety so long as he lives. She makes decisions to protect her people and ponders what her parents would say of her fate and that she subjected her brother to. Her passion for her people is sacred because her tone echoes that of her parents.

Rudy has never known how to act around male authority figures. He was orphaned so young that he has no memories of his parents. He grew up in an orphanage with women who did their best with what little resources they had to save their children from the drug-riddled fates they had seen many follow. He trusts women; if a woman gives him advice, then he's likely to follow it. He grew up with women. When grown men tell him things and expect things of him, he stares back at them blankly. They place a hand on his shoulder, and he gently nudges it away. They have nothing to offer him. Men trying to take authority over him, especially in a parental type of context, antagonises him. He grew up without a man in charge, and he's survived until now; he doesn't need anyone to try and start at this point in his life.

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Kate was never a fan of smoking, but after her dad died, she couldn't remember the name of his cologne, the brand of deodorant he used. So, she took up smoking because it was the closest she'd get to remembering what he smelled like when she hugged him.

Simon keeps a tattered old corner of fabric in his nightstand. It's the end of one of his mother's scarves, the only thing he could salvage. Sometimes he clings to it like a toddler to a blanket. Sometimes the sight of it sickens him.

John can't look at his own childhood pictures. He can't believe it's him in the photos, that someone could stare into eyes that young and blur their vision with the swing of a belt. He isn't convinced it's him at all; he's never known a reflection that wasn't tired, that juvenile glee belongs to someone else.

Having children was never a thought in Nikolai's mind; it never interested him. But he always harboured the fear that should he have one, he'd bring shame on them as a man who couldn't identify his own parents in a crowd. He had no family to offer them and no love to spare.

Farah wonders if she wasted the only opportunity she might have had to see what her father would've looked like should he have grown older when she handed Hadir over.

Anyone who ever had a hand in raising Rudy is dead. They are nothing but dirt waiting to don a coat of grass, and he struggles to remember their names. In his memory, they are a blur, every story he tells about his childhood has someone referred to by their hair colour because he can't remember if her name was May or that was the month her life was lost.

Seriously, it's not Game of Thrones tier but MHA is easily the second biggest engagement dropoff after a widely reviled ending I've noticed.

#the odds of it having the best ending really fizzled out after best jeanist hijacked the dabi reveal#and mirio came back in like the same issue after getting his quirk back off screen and using eri to do it after establishing eri as her own#person and not a thing to be used#just to use her once again in the proper finale#again we are talking about a six year old#but… i just dont understand even now why he established all of the league as victims of society and people needing to be saved#just to then kill them and not change the aspects of society that led to them being abused#and the old lady was such a fucking cop out that genuinely pissed me off#what actually changed for her to save basement kid but no tomura?? bullshit#i still cant talk about dabi without getting righteously pissed off#what do you mean hes in unending agony and for the few minutes a day hes in slightly less pain to endure visitors hes forced with the#presence of fucking endeavour and his never ending ‘i am the victim of my own story’#and its phrased as a good thing?? bc now he has his dads attention???#actually fuck you#as someone with chronic pain absolutely go fuck yourself#his ending actually makes me sick and youre trying to tell me its the best ending he couldve had??#fuck that#and everything with kurogiri and oboro was such a fucking cop out i cant even begin to describe it#he just wanted to end it before he burnt out i bet bc way to betray your characters’ entire reasons for being#themes? subtext? ha who gives a shit about those!!#i knew i was going to be disappointed and i inew it was going to be bad when afo had an inbuilt time limit#they didnt even need to defeat him they just to wait and that is such a shit final fight with the ‘demon lord’#(which is still so fucking lame oh my god i know that was the point that he got it from a comic book and hes immature despite being so old#but fuck it crosses the line of being the point to just being dumb)#it was bad and dumb and i hated it and i still havent watched the lated season bc of it#go beyond plus ultra

How am I only just learning this!?

[ID: a cropped screenshot of the AO3 Exclude filter section, reading "Other tags to exclude". "*/reader" and "*/you" have been selected. End ID.]

Wait

[ID: cropped screenshot of the ao3 include filter, reading "Other tags to include:" with "*/James "Bucky" Barnes" selected. /end ID]

IT WORKS

Is this new???? I've been wanting wildcard relationship search for YEARS 😍😍😍

My multishipping ass is about to go ham...

helpful info for those who need it

Explanation of what this does for anyone confused!

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John knows it's unhealthy, and it's unfair to Nikolai. But he isn't above using sex as a distraction.

When he can't quite dull the roaring winds in his ears, the gunfire he hears rattling in the distance. When every stiff ache feels like a fresh bruise, and he has half a mind to check for bleeding.

It's cruel to use his partner as a blanket to encompass his fear and mould it into pleasure under his hands, but John has always been a selfish man.

Luring the other man into the bed is an art form that John has mastered many a year ago. Purring in Nikolai's ear and groping at his chest, relishing in how the hair hugging the pilot's tits is damp after his shower.

He could tempt a snowman to buy ice if he played his cards right.

The sex works, mostly. His mind torn between the phantom blade on his neck and the hand lazily stroking his cock as Nikolai thrust into his hole, waxing poetry about the way John's chest flushes as he takes Nikolai's cock like his body was hand crafted for the Russian to sink into.

It works mostly. Until it doesn't.

John isn't sure when his eyes start to sting, throat tightening around the sensation of anguish arising. His ankles are locked around Nikolai's waist, the same way he crosses them as he anxiously awaits the first words of the holy man at a funeral.

The rope that's tightening in his pelvis, pulling his pleasure taut like a bowstring, is pulling from the thread that's holding his emotions tightly packed in his chest, and John knows in the back of his mind that there's little he can do to stop it from snapping.

Any ecstasy he might have felt as he cums, spend puddling on his abdomen is swiftly dragged under the wave of tears that escapes him, clung to until it drowns under his sorrow.

He can't hear the hitch in his breath, but he knows that both he and Nikolai feel his chest stutter as he sinks his nails into the other man's back, forbidding the man from leaving and exposing the world around him to John Price and his delicate sensibilities.

He shields himself from his shame, face buried in Nikolai's neck as he undoubtedly ruins what could've been the best sex they've had in weeks despite its role in his facade.

"Чш-ш, всё хорошО."

The hand that lands on the back of his neck is warm and soothing, a comfort despite the oncoming conversation his tears will incite. Despite it all, there's no judgment from the other man, only concern, and it wraps around John's chest and rips into his skin like barbed wire.

He owes his partner an explanation.

Thank you to the ever-so-kind @karlachismylife for their help with the Russian and for answering my ramble-filled dm.

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Reblogged

Can we talk about Mommy/Daddy issues and how they manifest? I've been throat-punched by both (Hooray) but I'm curious on your thoughts about who in the CODverse might have them and how they manifest.

Avatar

Coincidentally, you caught me on the day I'd been throat punched by both, and thus, I am at my best to write this. Genuinely, of all days to receive this ask, it was the day I found myself pondering how my father takes up 1/4 of a page in my family photo album, and then I sat down in the shower for a while.

John can't listen to any recordings of his voice; it makes the hairs on the back of his neck stand up. He sounds like his father. When he barks orders at people, he sounds like his father. Only his voice is followed by the whir of a bullet, not the cracking of a belt. He refuses to shave his face unless necessary because only after he grew a beard did he stop seeing Sr. in the mirror.

Ghost looks more like his mother than his father. On the best of days, it's his saving grace. On the worst of days, he avoids mirrors and winces when he catches his reflection on a screen. He sees women of a similar height and hair colour to his mother and hesitates for just a moment, the word mum stuck in his throat. Grown men can scream in his face, and it means nothing to him. The disappointed tone of a woman older than him makes his hands shake.

Nikolai is at the age where most people just assume his parents are dead. He doesn't know, he'll never know, he'll never want to know. He's detached from the idea of having parents. It's a foreign concept in his mind. He isn't sure if he looks like either of them because he can't remember their faces as well as he used to. It's meaningless to him. He isn't the son they expected him to be, therefore, he won't claim the name of the son they wanted. He tells people his parents are dead, a cancer of some kind. He doesn't care for their sympathies.

Kate's parents are dead; they have been for a while. She doesn't think of them often and when she does, it's typically with love, but she doesn't forget the fact that they missed the best parts of her life. However, their death pushed her to get where she is today, so without the loss, she wouldn't have that life. It leaves her conflicted, and she won't talk about it, but she grieves the moments they missed. She'll drink to their memory, or her sorrow. She decides which depending on how little is in the bottle.

Not a moment goes by where Farah doesn't miss her parents. She doesn't seek replacements in those around her; she never could. But she braids her hair, and she grieves the beauty her mother held. She offers someone kind words of reassurance and feels her father's arms around her, promising her safety so long as he lives. She makes decisions to protect her people and ponders what her parents would say of her fate and that she subjected her brother to. Her passion for her people is sacred because her tone echoes that of her parents.

Rudy has never known how to act around male authority figures. He was orphaned so young that he has no memories of his parents. He grew up in an orphanage with women who did their best with what little resources they had to save their children from the drug-riddled fates they had seen many follow. He trusts women; if a woman gives him advice, then he's likely to follow it. He grew up with women. When grown men tell him things and expect things of him, he stares back at them blankly. They place a hand on his shoulder, and he gently nudges it away. They have nothing to offer him. Men trying to take authority over him, especially in a parental type of context, antagonises him. He grew up without a man in charge, and he's survived until now; he doesn't need anyone to try and start at this point in his life.

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Hi! I just wanted to start off by saying that your analyses on the characters are awesome and they really helped further my understanding of the show, so keep up the good work! :D

I was wondering, if you don't mind answering, what did you think of about Dean giving permission for Gadreel/Ezekiel to possess Sam in season 9?

I'm still a bit on the fence about how to feel about it and I thought your particular brand of wisdom might be able to help me out.

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Dean had just a few pieces of information at the hospital in 9.01.

  1. Dean knew that Sam had every intention of surviving The Trials in 8.14 and in fact Sam promised he would survive them and show Dean to the light at the end of the tunnel, because Dean was suicidal: "I'm closing the gates. It's a suicide mission for you. [...] I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't – I am. But it's there. And if you come with me, I can take you to it."
  2. Dean observed that Sam became suicidal over the course of The Trials and that this culminated in Sam forsaking his promise and his desire to live and falling into a tailspin where he wanted to die to make himself "pure". Disturbing dialogue from 8.21: "Knights of the Round Table. Had all of King Arthur's knights, and they were all on the quest for the Holy Grail. And I remember looking at this picture of Sir Galahad, and, and, and he was kneeling, and— and light streaming over his face, and— I remember... thinking, uh, I could never go on a quest like that. Because I'm not clean. I mean, I w— I was just a little kid. You think... maybe I knew? I mean, deep down, that— I had... demon blood in me, and about the evil of it, and that I'm— wasn't pure? [...] It doesn't matter anymore. Because these trials... they're purifying me."
  3. Dean pleaded with Sam not to kill himself in 8.23, and Sam agreed, asking, "How do I stop?"

These are the details Dean has prior to Sam falling into a coma. He believes that his brother wanted to commit suicide, but that he did change his mind and decide he wants to live.

Two other notable details:

First, Gadreel earns Dean's trust quickly by risking his ass to help Dean, and then on the phone (after being given the fake name "Ezekiel") Cas, relieved and pleased, vouches for Ezekiel. So Dean has no reason to suspect anything nefarious (and in fact, at this point, Gadreel doesn't have particularly nefarious intentions besides staying in hiding away from other angels).

Second, Dean is not the one who pleads with Sam to live in the dream sequence, getting him to say "Yes". It can't be Dean, because 1) "Dean's" face morphs into Gadreels which is clearly intended to indicate to us that this wasn't Dean speaking 2) If Gadreel was somehow projecting the real Dean into the conversation to give that speech, then Gadreel wouldn't be the one receiving the consent. It would truly be Dean receiving it and not just Gadreel pretending. Those words HAVE to come from Gadreel's mouth for the possession to work—not Dean's. We've seen angels morph into loved ones and mimic their voices perfectly several times.

With all that in mind:

After Gadreel pitches his plan to possess Sam, Dean immediately says it isn't his call to make—it's Sam's. It's after Gadreel shows him Sam falling back into the same suicidality from 8.23—wanting to die so that "no one else can get hurt because of me"—that Dean wavers. Still—at the end of the day, whether Sam agrees to live or not was never Dean's choice, and this is something I often see people get mixed up about. Dean doesn't get to choose whether Sam dies or not. It is still Sam who chooses to live. Sam does this by saying "Yes" to Gadreel. This could not have happened if Sam hadn't changed his mind about living. He doesn't know he's going to be possessed, but he has once again beaten back his suicidality and chosen to live. Sam still had hope in a good future.

Sam chose to live. He did not know he was going to be possessed. That's the issue. However, Dean did not intend to keep Gadreel's possession from Sam after it happened. Dean and Gadreel have this conversation upon leaving the hospital:

DEAN So? How's it look in there? EZEKIEL IN SAM’S BODY Not good. There is much work to be done. DEAN Yeah, but he's gonna wake up, right? EZEKIEL IN SAM’S BODY He will. DEAN So, what he does – what, is he gonna feel you inside, triaging his spleen? EZEKIEL IN SAM’S BODY He will not feel me, no. There is no reason for Sam to know I'm in here at all. DEAN You're joking. No, this is – this is too big. EZEKIEL IN SAM’S BODY And what will he do if you do tell him he is possessed by an angel? DEAN Well, he'll have to understand.

This conversation suggests that Dean's initial thought process was "We perform supernatural life-saving surgery". He just wanted to get Sam to a point where he'd wake up and they could talk. Like any situation with a relative in a coma, that person in a coma can't consent to surgery. The next of kin is the one who gives consent, because their loved one can't. They can only consent to a procedure if awake to do so. So Dean doesn't stop Gadreel from performing life saving surgery, but his intial belief and intent is that they'll put all of this back in Sam's hands when he's awake.

Up to this point, I don't actually have a problem with what Dean's done based on his knowledge. It's here at the end of the episode, where Gadreel convinces Dean to depart from his intial intent and stall, that in my opinion, the "Dean doing something wrong" part starts:

EZEKIEL IN SAM’S BODY And if he does not? Without his acceptance, Sam can eject me at any time, especially with me so weak. And if Sam does eject me, he will die. DEAN Then we keep it a secret for now. Or until Sam's well enough that he doesn't need an angelic pacemaker or I find a way to tell him. I - I... As for him being in a hospital, I'll have to figure something out. EZEKIEL IN SAM’S BODY I can erase it all, if you like. He will not remember any of this.

Dean doesn't feel good about it, but he agrees to keep quiet, because he's scared Sam will yet again make a suicidal play. Dean is riddled with guilt in the following episodes over lying to Sam, and in 9.08, Dean tries to tell Sam he's possessed, but Gadreel takes over Sam's body and stops him. Dean comes clean again in 9.09, only for Gadreel to stop Sam from receiving the news again.

So. Dean's mistake is lying to Sam. He shouldn't have lied to him. Point blank. At the same time, had Dean pushed the issue, would Gadreel have been willing to be expelled? Would he ever have allowed Dean to tell Sam the truth, from the moment he was... installed? Or was Dean screwed from the beginning, and was the idea that he got to choose any of this—any bit of it—really just... an illusion to keep Dean compliant with the possession that was keeping Gadreel under the radar?

Think about it for a second. Why did Gadreel ask Dean's permission? He didn't ever need Dean's permission to do any of this. He didn't need Dean's permission to trick Sam. He didn't need Dean's permission to remove Sam's memory of the hospital. He didn't need Dean's permission to keep the fact that he was possessing Sam a secret. He could have done every bit of this without asking. The problem was, Dean probably would have caught onto the disappearing angel act, and Gadreel would have had to get violent, and for the first part of season 9, Gadreel doesn't want to get violent! He just wants a place to lay low, and sees an opportunity to prove he's a good angel who helps humans—not just the angel who let the serpent into the garden. Getting Dean's "consent" might ease his own conscience about nonconsensual possession or be a way to keep Dean compliant or both, but ultimately, these are more questions worth weighing imo, because Supernatural loves to toy with the illusion that Dean has power in situations where he doesn’t, and in this case, he doesn't... actually have any power at all... does he?

That said, when it comes right down to it, Dean still did something wrong by helping keep the secret—by not trying to tell Sam the truth immediately because he was scared. And well. Okay. So what?

This is a show with characters who have good intentions but still make mistakes. As Cas will say about this later, "You were stupid for the right reasons". We get some great insights into the pitfalls that lead Dean down this path, and it's interesting to watch that happen and then later, see a broken mirror as Sam endeavors to prove through season 10 what Dean is willing to do can't touch what Sam is ultimately willing to do to keep Dean around.

Here's the thing—I don't believe for a single second that Sam wouldn't do the exact same thing in 9.01 had their positions been reversed. Sam and Dean have a conversation along these lines at the end of 9.13 "The Purge":

DEAN All right, you want to be honest? If the situation were reversed and I was dying, you'd do the same thing. SAM No, Dean. I wouldn't. Same circumstances...I wouldn't. 

This genuinely wounds Dean and gets brought up a few times, but then in 9.23 when it's brought up for the last time in another context:

DEAN What happened with you being okay with this? SAM I lied.

Sam never gets the chance to do the exact same thing to Dean, but he has already gone behind Dean's back to try and save his life before. He's used Dean's death to justify doing things Dean begged him not to do on his behalf. He kept the case they were actually on under wraps as he inched toward a plan to turn himself and Dean into Frankenstein's monsters in 3.15 (and really the only reason it didn't work is that Sam got captured by Doc Benton and Dean had to save his ass, and then Sam morosely helped dig the grave). Sam went behind Dean's back directly against his wishes to threaten a crossroad's demon in 3.05. In season 10, he violates Dean's consent by removing the Mark of Cain from Dean's arm using the Book of the Damned, which not only requires an overt human sacrifice of Oskar and gets a woman named Suzie killed in "The Werther Project" because Sam refuses to heed her warnings, but also results in the apocalypse... and all of this was something Dean asked Sam not to do, and Sam did every bit of it to get his brother back, and while standing in the wreckage in 11.01, echoed Dean's line from 9.13, saying, "I would do it again". Dean signed the supernatural possession next-of-kin consent form, and the fallout was Kevin and Sam. Sam violated Dean's consent and tens of thousands of people died and he said he'd do it again while they died around him.

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Anonymous asked:

I’ve seen a lot of your posts about cas having communication issues and it being a character flaw, and a lot of it with dean specifically which causes a lot of the conflict in their relationship. Do you think his communication problem is a result from him not being human and not fully understanding how to communicate as one, or that it has to do with how strongly he grows to care for dean so he hides things with the mindset of protecting him. I started wondering about the latter just because it seems like in season 5, once he is fully on their team, cas is very blunt and straightforward with his thoughts and feelings, often being shown as one who does not lie very well, but it changes after the season 5 finale. It makes me wonder if that’s when cas really fell for dean so it started holding him back from truly communicating with him. Or maybe you have a different opinion on the reasoning altogether, I was just curious on your take

I think it's a combination of things. One is absolutely that he (I personally think in a somewhat misguided way) wants to protect Dean (and his friends more broadly). In 6.20, Cas talks about coming to Dean's house and almost asking him for help, but being unable to bring himself to ask when he thinks of how much Dean has been through and realizes that Dean will uproot his life to help him.

CASTIEL: Raphael was stronger than me. I wouldn't survive a straight fight. So I went to an old friend for help. But watching him, I stopped. Everything he sacrificed, and I was about to ask him for more.

Cas doesn't want to put Dean through another apocalypse. And when he initially agrees to work with Crowley and Crowley suggests bringing Dean into the loop, Cas reiterates that Dean is to be left alone.

CROWLEY: We'll need expert help. CASTIEL: From whom? CROWLEY: From experts, of course. I know of two eerily suited 'Teen Beat' models with time on their hands. CASTIEL: No. Not Dean. He's retired, and he's to stay that way.

The thing is, trying to protect Dean isn't the entire picture. Season 6 is riddled with Cas slowly making concessions, and one of the very first ones he makes is turning a blind eye to Crowley forcing Dean to work for him. So it isn't all about protecting Dean. Excluding Dean is also about trying to prove he can handle all of this by himself, and feeling shame if/when he can't or when he has to make moral compromises to achieve his goals. Crowley digs into Cas's hubris in 6.20 when he says:

CROWLEY: Everything you've worked for -- everything that Sam and Dean have worked for -- gone. You can save us, Castiel. God chose you to save us. And I think...Deep down...You know that.

Crowley paints a picture of Sam and Dean needing protection, but also of Cas being needed, and being powerful enough to do it all on his own—telling him he is special and worthy and deserving. Hubris is never far from lack of self-esteem. Buttering Cas up like this works because deep down, Cas does not feel secure and needs to believe that he is worthy and righteous. He seeks that feeling of worthiness from God, from the other angels, and from Dean at various points throughout his life.

One of the places we get the shame angle from Cas is in 6.03 when he first tells Sam and Dean about civil war in heaven and explains why he never reached out for help.

DEAN Cas, why didn't you tell us this? CASTIEL I was ashamed. I expected more from my brothers. 

Cas was not successful at playing sheriff and whipping heaven into shape. He thought God was behind him because God resurrected him, but things didn't work out in his favor instantly. Raphael appeared as an adversary. So maybe God wasn't really behind him. Maybe Cas wasn't actually that special after all. Season 6—as much as it features a fallout between Dean and Cas—is also a fallout between Cas and God, as Cas slowly realizes that God is not watching him and cheering for him (anymore), starts to resent him, and then tries to replace him.

I think when I look at the show more broadly past season 6 and the other instances where Cas hides things and tries to do everything on his own, those instances tend to carry these same themes of Cas desperately wanting to protect the people he loves, but also being desperately insecure, looking for other people from God to the angels to Dean to give him validation. Cas tends to try and gain that validation through missions/ quests that make him worthy and deserving. And the idea of needing help with those special, holy missions feels like failure, because then he wouldn't have done it all on his own. When his missions fail or he isn't able to do it all on his own, it chips away at him slowly but surely. Cas all but tells us this in 12.19 "The Future". He talks about a range of failures he's recently suffered—some of them involving not being able to protect Dean or save Dean, some involving the larger holy mission (to protect humanity from cosmic threats) and he says he was trying to do it all on his own and that he shut Dean out because he needed a win on his own.

CASTIEL: Well, I didn't mean to add to your distress. I – Dean, I just keep failing. Again and again. When you were taken, I searched for months and I couldn't find you. And then Kelly escaped on my watch, and I couldn't find her. And I just wanted I needed to come back here with a win for you. For myself.

I also think the way Cas approaches these sorts of discussions—first saying the win is for Dean (just like in 6.20 when he says he did everything for Dean) then admitting that the win is actually for himself—he's also revealing that he has trouble admitting to himself that hubris is ultimately a part of his motivations when he does things like this. He tends to tell himself he is just trying to keep his friends safe or that they need him to prove himself, but deep down, it's that Cas is insecure in ways that have little to do with his friends, and everything to do with his upbringing and being uprooted from his life and not knowing how to feel worthy without a mission to serve because serving the mission is what he was brainwashed to believe made him worthy and deserving for his entire existence. After leaving the heavenly cult, he replicates the experience of using The Mission as a means of receiving praise from others as confirmation that he is worthy. (Which would be why one of his visions of paradise in the 12.19 draft script is himself shirtless looking poweful with his wings on display and Dean thanking him).

All of that said... I do also think Cas is sometimes just impatient. I mean in some ways, this connects to hubris, but I think keeping people informed about his whereabouts probably does sometimes feel like a chore to Cas. If it's something he truly believes he can handle on his own no problem, he sees involving his friends and dealing with their questions as an inconvenience, and he's very sure that he is going to succeed and be back before they ever know he was gone. And sometimes he's right. But he is also sometimes very very wrong, either misjudging what he can accomplish on his own or failing to account for the unexpected. Then he gets himself into hot water and Dean is upset (or the angels in some cases), and that means Cas fails the mission and still feels insecure and loops back to looking for another mission that will prove he is worthy and deserving. The problem being... you can't rely on other people to give you your self esteem and also need to actually be self aware about your own limitations. And all of that is neat.

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