its so brave that you have such a 2012-coded url in this 2024 world
would you call a bear brave for standing in a new construction suburb or would you recognize the unfamiliar world they built around him
its so brave that you have such a 2012-coded url in this 2024 world
would you call a bear brave for standing in a new construction suburb or would you recognize the unfamiliar world they built around him
people who use the queue function fill a necessary role in the tumblr ecosystem. they keep posts alive. if u miss a post bc ur entire mutualcule was reblogging it from each other in a 30min span and u were offline, the queue mutual provides u an opportunity to see that post again in 1-8 business days. they put posts in stasis in little cryogenic freezers for u to discover and enjoy later. everyone thank their queue mutuals right now
I beg my kidnappers for a phone, swearing not to make any calls or texts, and they stare over my shoulder, holding a gun to my head as I use my newly-freed hand to post, "So do like, dudes just buy ropes and baklavas from the same store or what lmfao like a specialty Crime Store"
One of the kidnappers says "balaclavas" but it's muffled under the fabric. I ask them to repeat and they do, their voice raspy from disuse. "You wrote baklava, that's a pastry." The other kidnapper goes "stfu" and then after a pause goes "Why would you buy from a crime store"
Then they spit roast me
I didn't wanna say this but now that someone's left this kind of comment I have to be honest: Everyone else's tags are funny but this is the only person who understood my vision for this scenario
[muttering feverishly] I need to chase that man around my gothic manor in a silk nightgown
we take turns
"Riddle me this, riddle me that, who's afraid of the big, black bat?" Batman Forever (1995) dir. Joel Schumacher
this one is my favourite one
his complete lack of swag, mildly gay behavior, and bad posture have captivated me
i’m working on a play about 65-year-old lesbians, and my dramaturg is an older gay man who has been helping me with historical context and research, and also just in general giving me advice based on his own personal experiences.
fav thing he told me so far, said with a lot of love: “dyke drama was specific. it was always so specific. it was precise and narrowed and pointed. and also so dumb.”
also spoke to an older lesbian professor. i was asking her all these questions about marches and protests and summits and infighting and rallies and “what was it like what did this mean to you what was it like to experience that?”
and she kinda stared at me for a bit and said, “you know, it was a lot. and it was big and it did feel revolutionary. but also at that time i was mainly focused on getting my heart broken in a bar.”
and like. yeah.
another thing my dramaturg told me, from the perspective of a gay man who lived through the 80’s, was that whenever a young gay person asks him what the dating and play scene used to be like, he answers:
“we went to rallies and funerals.”
our persistence in our continued existence is big and scary and revolutionary, and the grief stretches on and the losses hit hard.
and because of that, i think it’s important to remember the dumb drama, and the first loves, and the first heartbreaks over beer. i think it’s important to go to rallies and vigils, and also dive bars and game nights.
it’s all so big and so small.
unparalleled image