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Leave the World Behind 2023
Sam Esmail sure does love his camera rotations. While its messaging is about as subtle as a bullhorn blasting through a nursery (or, to pick on a worse film, as subtle as the class politics in Triangle of Sadness), the tension is solid, and some of the shots and sequences are rather memorable. Great performances, too, from the two leads especially, even if the dialogue sounds flat and massaged to an unrealistic point, to be as profound as it can…
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Triangle of Sadness 2022
It’s a pretty great film if you’ve never cracked a history book or discussed politics ever. Overall well made/acted, and hilariously deadpan and gross in spots, but the cringe-heavy first hour and the painfully blunt, lacking all subtlety first-year political and class discourse makes this a more laborious experience than expected.
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May 2002
Sincerely baffled to know that this received such high ratings, especially from people like Ebert. This film is discordant start to finish, but in a “this is a bad film school piece filled with cringe” and not a “this is actually horrific and deep to any degree” sort-of way. The lead actor is about the only not-shit thing about this film. Everything else—message to acting to base aesthetics—just repels. Could not wait for this to be over with. It’s just... brain dead and empty.
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Eraserhead 1977
The very definition of "I get it, I just don't care." Which, honestly, sums up my relationship to David Lynch. Every time I deep dive into the themes or subtext behind his work, it makes sense and is clear throughout, but... I just cannot bring myself to give a damn. Chiefly, this is because his work is fundamentally unbalanced in that instead of being some surface-level dreck that's all plot and zero theme, it's all theme and zero character. And…
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