I’m almost positive that a Lamy CP1 fountain pen is featured in the first part, implied to belong to László. Which seems to be on brand for his Bauhaus background because of the pen’s German origin, Bauhaus-inspired design. Except that Lamy CP1 was designed in 1974, long after this particular part in the film’s timeline.
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Inside the Yellow Cocoon Shell 2023
The generous use of extreme close-ups, seen under the slowness of the film, singles out this observation by Roland Barthes (Camera Lucida, 1980) from the depths of my brain:
“The Photograph is violent: not because it shows violent things, but because on each occasion it fills the sight by force, and because in it nothing can be refused or transformed (that we can sometimes call it mild does not contradict its violence: many say that sugar is mild, but to me sugar is violent, and I call it so).”
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