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Tetsuo: The Iron Man 1989
The film equivalent of Merzbow's Venereology: loud, abrasive, grotesque, baffling, and punishing. Aggressively unwatchable, as if ERASERHEAD were fueled by a distinctly Japanese flavor of cyberpunk paranoia and madness. A brain-scrambling barrage of white noise and industrial body horror determined to disorient. This is pornography. This is art.
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After Blue (Dirty Paradise) 2021
I feel spoiled having seen SHE IS CONANN before this and it's hard not to compare the two since this director seems to have a very specific style. This is less refined and less violent, but it's just as bizarre and profane: the queer feminine mutant offspring of STALKER and DEAD MAN that ditches the monochrome aesthetic in favor of a pastel surrealscape fueled by erotic nightmare logic and hypnotic darkwave drones. The initial setup is great, but the plot…
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Truck Turner 1974
"And those two bitches that left, they'd better learn to sell pussy in Iceland because if I ever see them again, I'm gonna cut their fuckin' throats! We are family... and that's what we're gonna stay."
An energetic and gritty street action/pimpsploitation flick that effortlessly checks all the boxes and ends up being a bonafide heavy hitter. Isaac Hayes is the epitome of cool here, but Nichelle Nichols steals the show and the rest of the performances are pitch perfect.…
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The Substance 2024
"Pretty girls should always smile!"
A stunning and commanding follow-up from Fargeat that showcases her versatility as a new wave genre filmmaker, everything here is bigger and better and more Hollywood than her debut and she handles it all with ease. It's not subtle in any way, and it might come off as a little sleazy with all the camel toe closeups that get thrown in our face, but this is a much more intricate and focused movie than REVENGE…
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