Utterly hypnotic and unbelievably horny, in a way only Kubrick could successfully pull off. Eyes Wide Shut is a masterpiece from the late auteur, a cinematic puzzle box of intrigue and depravity which makes the nearly three-hour runtime fly by. Cruise and Kidman give (arguably) career best performances, which allow the audience to sink into uncertainty of the narrative seamlessly. Every shot is a fucking audio-visual masterpiece, which gives the film a beautiful, yet deeply unsettling aesthetic. Anyone who doesn’t appreciate Eyes Wide Shut, doesn’t appreciate Kubrick in his purest and most polished form. A new all-time favorite that I cannot wait to revisit.
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5 Centimeters per Second 2007
A man’s life forever altered by the loss of his first love. He lets life pass him by, sometimes quickly, sometimes slowly, unable to do anything but look forward towards an impossible reality.
There’s loads of narrative potential in Makoto Shinkai’s sophomore feature, but it’s egregiously short runtime holds it back from being anything more than visually stunning. Even with double the budget, and fourty-minutes of runtime added, 5 Centimeters Per Second would still lack the incredible characters and storytelling that the Your Name director has become known for. A film that makes for some gorgeous screenshots on your Pinterest board, and not much else.Translated from by -
Fritz the Cat 1972
Enjoyed this more than I probably should, even if there’s not much to chew on beyond Fritz The Cat’s sleazy sex hijinks. For every clever animated sequence that makes the film an enjoyable experience, there’s about twenty-pairs of animal boobs that do the opposite. If I ever catch up on my mid-century neoliberal history, I’ll inevitably want to revisit this (but I don’t see that happening anytime soon).
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Sherlock Hound: The Adventure of the Blue Carbuncle / Treasure Under the Sea 1984
Yes, the Sherlock Hound TV movie is better than Dune 2.
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Mickey 17 2025
Deeply upsetting to watch the post-Parasite, Adam McKay-ification of my favorite filmmaker. Mickey 17 is an over-stuffed and underdeveloped anomaly of a film, signaling the beginning of the end for Bong’s reign as a globally beloved auteur. The screenplay bites off way more than it can chew, reminding you of all the other South Korean satires you’d rather be watching (Parasite does the class thing better, Snowpiercer does the sci-fi dystopian thing better, Okja does the animal rights thing better, etc). It’s…
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