The meaning of life doesn't seem to shine like that screen.
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Satan's Rhapsody 1917
I have to admit that I'm not usually a fan of adding colour to a black and white film, but in this one, every frame is just beautiful.
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Ménilmontant 1926
The double/multiple exposures in the last 15 minutes blew me away. And Nadia Sibirskaïa's eyes, wow.
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The Thin Red Line 1998
I love how Malick includes nature as a main stage and participant in the war, as if it were part of it. Or rather, as if it is human nature to live in war and we need it to feel alive, immortal.
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