Dillon

Dillon Pro

Favorite films

  • Mulholland Drive
  • Heat
  • Big Trouble in Little China
  • Terminator 2: Judgment Day

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  • Eephus

    ★★★★★

  • The Insider

    ★★★★½

  • Ghostbusters II

    ★★★½

  • Demonlover

    ★★★★½

Recent reviews

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  • Eephus

    Eephus

    ★★★★★

    One of those increasingly rare truly special indie films that make their way to the mainstream surface. A dirtbag hangout comedy encased in this moody melancholic tone that gives weight to every zinger, throw, and hit. I recalled memories of playing my friends in pickup basketball trying to outlast the sun setting, refusing to conform to nature’s cycle. To loose something special to the ceremony of progress. Brilliant film that I cannot wait to revisit.

  • The Insider

    The Insider

    ★★★★½

    A brutal watch. The suffocating weight of the machinery that exists above us bearing down on our existence with all the force of the death star. Sparked an interesting conversation with my wife the following morning about whether or not blowing the proverbial "whistle" (as Russel Crowe's character courageously does) is worth it in this increasingly hopeless culture we are currently witnessing. To loose one's family, job, reputation, purpose, etc. all for the hope that an institution will value your…

Popular reviews

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  • Oppenheimer

    Oppenheimer

    A montage of actors spewing exposition like Siri reading a wikipedia page for 3 fucking hours with a minor break in the middle that features the lone moment of actual filmmaking language which ends up being mids.

    I am so disappointed. How and why was this overstuffed Aaron Sorkin-vibed behemoth even shot for IMAX? It's 90% CU/MCU of actors reading off a screenplay.

    There is minimal moments, traits, or actions that brings any of these characters off the page. You…

  • I Saw the TV Glow

    I Saw the TV Glow

    ★★★★★

    Every once and a while a movie comes along that feels like it is standing with it's face 1-inch from yours, looking into your soul, and speaking directly to your lived experience. That's more or less how I felt throughout the majority of this film's runtime.

    As a 32 year old millennial raised by the television, Jane Schoenbrun has put words and images to feelings and ideas that have remained shapeless in my head for 15 years. The plastic glow…