I cannot express how amazing literally everything here is.
Chazelle please never stop using Cincinnati from Guy and Madeline on a Park Bench in your films.
This review may contain spoilers. I can handle the truth.
I’m so happy to report there was a Gal Godot delivery so bad that multiple people in the audience (including me) started laughing.
Glad to get at least one more decently class conscious Disney film before their executives shudder at the thought of including anything that isn’t ultra conservative.
It would’ve been a 6/10 but the entire time I was praying that, when they revealed Dopey’s voice, it would’ve sounded unnaturally deep like Seth Green AND THATS ACTUALLY WHAT THEY DID. Funniest shit ever, half a star for that alone.
Inarguably the best bald man in any film released this year.
Fucking love movies that are movies. Make me feel literally every emotion known to man, show pretty images with magnificent music, and make me ask questions to understand what they wanted to say. Loudest I’ve heard a theater this year (that wasn’t an early access college screening of a Ryan Gosling Comedy), quietest I’ve heard a theater at an ending.
Glad this led me into my twenties.
My quest to complete Ke Huy Quan’s and Rachel Zegler’s filmography this year has led me to places I wouldn’t even go with a gun.
Genuinely crazy how Hollywood in the past few years suddenly all decided to use robots for civil rights allegories. This highkey just feels like it’s conditioning people to be ok with AI replacing people’s jobs, and seeing some of Russo’s statements that might be the case.
Also comically bad use of Colman Domingo wtf.