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AGGRO DR1FT 2023
Forces the viewer to leave the languages of yesteryear behind, having characters move seamlessly in-between/overlap real and virtual with the same ease as switching profile pictures and changing theme colors. Korine defined the 2010s early on with Spring Breakers and does it again for the 2020s a decade later. In an ideal world, this is seen on every type of device and display in every single context imaginable: the theater in one sitting, 25 different clips over the course of several days, live-streamed split screen with this on top and Subway Surfers gameplay at the bottom on loop.
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All Light, Everywhere 2021
Takes all of the collective fears and worries involving surveillance and the very act of watching and multiples it tenfold by exposing the dead areas and spaces in-between of what we think we know. What Subject to Review did for tennis is what this does for the entire history of images, both in motion and in stillness. Anthony compiles what feels like could easily be 3 hours into 105 sprawling minutes. No other filmmaker from the DMV is doing it…
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Taxi Driver 1976
Without a doubt, Taxi Driver is one of the finest character studies in all of american cinema and will always will be. That's coming from a person who just saw it for the first time. The film doesn't really have a plot, when you think about it. We just follow Travis Bickle, the psychopathic taxi driver who doesn't seem to have anything to live for in the world. He's just going through the motions.…
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Landscape Suicide 1986
All filmmakers play within the never-ending realms of space and time, whether they are aware of it or not. Doesn't matter who you are, what you are shooting on, or anything else. Space and time make up everything around us. But when a director is aware of this while making a film and make space and time more than just concepts or ideas, magic happens and this is what James Benning does with Landscape Suicide.
Does the world revolve around…
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