Ikiru: Facing Mortality and Facing the Other
I. Introduction
This paper will focus on an aesthetic and philosophical interpretation of Akira Kurosawa’s 1952 film, Ikiru. Despite Ikiru having an unconventional story structure–especially for the time–there is a common function of the plot that is present in many other films and novels. This theme is that of the transition from being to becoming, or existing to living. There are many threads of influence or commonality that…