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Eric LaRue 2023
A story of a woman grieving the malicious acts of her son and searching for someone to just listen to her. While it looks beautiful and is darkly funny in its writing, I don’t think cinema adds anything to this story that already exists as a play. The Editing chose to hang onto space/time ineffectively which results in this movie runtime to feel twice as long as it does.
By the time the final scene arrives, I had lost interest. Which is a shame, because the final scene was filled with great acting from Judy Geer and Nation Sage Herikson.
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Incendies 2010
An incredible example of using non-linear storytelling to illustrate the complexity (and horrors) of war and results from rape when used as a weapon of war and how it can create generational trauma. Impressed this wasn’t necessary a thriller rather more a mystery film. Powerful film. Haunting film.
Without a doubt this the best film I’ve seen from Denis Villeneuve.
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Emilia Pérez 2024
Once again…If you are going to do a musical you need to commit to doing a musical. Do not give me these half-assed garbage songs.
Additionally, this film is ugly and looked like some 2010s gang film my roommates would watch in college.
I do not want this film anywhere near the LGBT community. I rebuke this.
CIFF #8
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Nightbitch 2024
“It called, and you answered.”
Another special film about the horrors of being divorced from your art.
So yes, I cried and loved it.
Amy Adams is an absolute force of nature in this film. She is witty, smart, and - most importantly - ferocious as she undergoes the scary transformation of motherhood.
Presented by Chicago International Film Festival
Marielle Heller in attendance and will receive the Festival's Visionary AwardI got to chat with Marielle after the…
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