everytime someone new comes on screen you should audibly go "need him" or "need her" or "need it (the bread)"
had me fujoing out so hard that every blood vessel in my eye burst like i was in a centrifuge training to be an astronaut
everytime someone new comes on screen you should audibly go "need him" or "need her" or "need it (the bread)"
had me fujoing out so hard that every blood vessel in my eye burst like i was in a centrifuge training to be an astronaut
man.... they shot hopper, man. and then fonda-- they-- they fucking shot fonda too, man. they just shot him man!!!
My favorite of the trilogy. By the third, he really nailed the blend of gay absurdity with the something tender in the trash. Maybe it's the covid, but I sure have been watching a lot of movies making me nostalgic for my gay boyhood lately. Wonder what that's all about. On an unrelated note, next up is Richard Linklater's sprawling epic "Gay Boyhood"
Nothing quite as romantic as the scene with Warren Beatty silently falling in love with Julie Christie as she's eating half a dozen eggs and stew with her bare hands while the violinist plays Beautiful Dreamer.
Between The Stranger Song in this and Suicide is Painless in MASH, Robert Altman really is just the best when it comes to opening sequences.