symphorophiliac drag names:
Lightning McQueen
Toyotathot
Chevrolaid
Hyundai Inside Me
Mini Cooper Hoffman
Porsche De Rossi
terrible earnest bullshit incoming:
there's something to be said about the recurrence of disembodiment in the great cinema of the 2020s.
In "The Fabelmans," Sammy watches himself record the dissolution of his domestic life, connection to the world facilitated through the cold impassion of a lens. In the auditorium of "Oppenheimer," our titular destroyer stares at cheering bodies reduced to empty space in a second, a single scream cutting through the silence of self-imposed blankness. In "Aftersun," a father-daughter dance…