I once got told on tour that I looked like someone who does close up magic, and I’m choosing to believe that this means I give off Ethan Hunt vibes
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Nickel Boys 2024
terrible earnest bullshit incoming:
there's something to be said about the recurrence of disembodiment in the great cinema of the 2020s.
In "The Fabelmans," Sammy watches himself record the dissolution of his domestic life, connection to the world facilitated through the cold impassion of a lens. In the auditorium of "Oppenheimer," our titular destroyer stares at cheering bodies reduced to empty space in a second, a single scream cutting through the silence of self-imposed blankness. In "Aftersun," a father-daughter dance…
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