Amanda Puspita Sari

Amanda Puspita Sari

The girl who happens to love movies

Favorite films

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  • I'm Still Here

    ★★★★½

  • Mickey 17

    ★★★

  • Cairo Conspiracy

    ★★★★½

  • Conclave

    ★★★★

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  • I'm Still Here

    I'm Still Here

    ★★★★½

    When you're presented with the first 15 minutes of a happy family who loves dancing, playing games, hosting parties for friends, and playing volleyball at the beach, you know this is the peak of happiness the film can offer, and that everything will go downhill from here. It feels as if the film itself is warning the audience: "Buckle up, a shitstorm is coming."

    If you've read The Jakarta Method, the book’s pages feel like they come to life through…

  • Mickey 17

    Mickey 17

    ★★★

    Every now and then, Bong Joon-ho directs films like Snowpiercer and Parasite, which I absolutely love, and then there are films like Okja and Mickey 17, which I find a bit meh. I guess I just didn't find the comical depictions of power all that interesting, to be honest.

    On paper, Mickey 17 feels like a film I would love, but I couldn't say that after the credits rolled. For a film with a 2-hour and 17-minute runtime, I didn't…

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  • Buya Hamka Vol. 1

    Buya Hamka Vol. 1

    ★★

    Sebenarnya bosaaaaaaaaaaaaaaaan banget nonton biopik tokoh bangsa yang yaa pasti ujungnya glorifikasi penokohan. Tapi untungnya 'Buya Hamka' ngebuka hal yang sebelumnya aku enggak tau: bahwa ia bukan hanya Kiai Muhammadiyah, tapi juga filsuf dan sastrawan. Jalur dakwahnya bukan hanya di mimbar, tetapi juga melalui karya-karya roman yang melegenda, dan kitab tafsir tasawuf modern. Akademisi paket lengkap.

    Di tengah gempuran klise yang membuat narasi stagnan dari menit awal, film beranjak seru saat tokoh Buya Hamka yang lurus banget ini dihadapi dengan…

  • The Substance

    The Substance

    ★★★★½

    "Have you ever dreamt of a better version of yourself? Younger, more beautiful, more perfect."

    This opening line serves as the foundation of female self-loathing, built upon the relentless beauty standards imposed on women over the years portrayed so sickeningly in Coralie Fargeat's horror film, 'The Substance'.

    Let me get this loud and clear: Fargeat, you're a genius. 

    I spent the first two-thirds of the film relentlessly rolling my eyes at the frequent use of the male gaze. 

    But as…

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