There’s so much to celebrate about this movie. 1) How visually beautiful and dreamy it is - Gerwig’s messily strung collage of references makes me want to create, to “do the imagining.” 2) How accurate a depiction it is of gender relations today. Nina Power describes today’s ‘post-patriarchal’ western world as one that has shifted from a ‘vertical patriarchal parent-child-like structure’ to a more ‘horizontal, competitive, sibling-rivalry-like’ relation. This is joked about in the movie as patriarchy that’s hidden better…
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Dheepan 2015
“I’m not an immigrant. I’m a refugee, and I live with a refugee mindset. I live thinking of my motherland and when I can get back there, so I’ve engaged very little with French culture and French people.”
— Antonythasan Jesuthasan, Interview on Dheepan, February 2017, Paris
[This quote reminded me of a great paper I read by Hassina Benchelabi about Maghrebi women displaced to Brussels, and their explicit underuse of public space (restaurants, nightclubs) as voluntary defensive behaviour, as…
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Pierrot le Fou 1965
Blue and red, sky and sea, male and female. Marianne and the fool circle around the polarities of life — money and freedom, love and annoyance, life and death.
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Mon Oncle 1958
A house with eyes and a mouth. Tati depicts the inconveniences of both suburban and city life. Humility transpires whether we choose to (quite literally) follow the path that has been laid out for us or step in everybody’s way.
For me, this movie clearly outlines the differences between modernism in art versus architecture. Where Sullivan’s “form follows function” comes to die in hilarious, nightmarish truth.
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