“HERE COMES THE BLACK FOOT”
Again, the clowns of letterboxd are back.
Did it feel good to all of you, when you gave an Adam Sandler movie from 2002 two stars? To comment and reflect on this movie as if it was ever meant to be serious, or “high cinema”, shows how much of a goddamn socially awkward NERD you are. This is a fucking comedy. Crack a beer and stop yapping about a24 and Casablanca. This is the garbage…
To watch this movie then complain about once upon a time in hollywood is insanity. This contains less character development and far MORE historical inaccuracy. Is that an issue? No. Because I’m not a whiny little contrarian like the rest of you. It was a good movie and that’s how I enjoyed it. Quit your bitching.
This film is excellent. The haters of this film lack the effort and willpower to actually research the movie and its history. As pretentious as it sounds, if you were bored, you didn’t get it. Every character is either directly based off of, or a conglomerate of, a significant person in Hollywood. The costume design and set design a feat in itself, managing to turn ca. 2019 era LA into the 1969-early 70s. He spends so much time familiarizing the…
Nicholas Cage has become the token freak. His performance in this film was incredible, as I had expected. The film does make less sense as it goes on, but the intensity and vigor of the cinematography and intense “vibe” that’s created by the filmmakers kept me interested.
Think Mandy, or Pig. Nick Cage is playing obviously in this movie a serial killer, yet he seems to be given roles in his last several movies where it’s essentially his job to…
