Artist and ephemera hunter; believer in the perfect 90-minute-long movie.
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Salon Mexico 1949
Mexican actor Marga Lopez brings a Crawford-like intensity to Salon Mexico, a blend of Film Noir and Women's Picture suffused with the cultural norms of Mexico. In this well-photographed drama, Lopez's Mercedes is a taxi dancer plying her wares in a sleazy urban setting, scraping together every last peso to keep her young sister, Beatriz, enrolled in a fancy boarding school. The goal is to get Beatriz respectability, and a husband—ideals which Mercedes have nobly sacrificed for herself. Along the…
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Lydia 1941
Merle Oberon as a worldly, flirtatious Boston blue blood reminiscing over the past loves in her life. Lushly produced and nicely acted romantic melodrama is neither here nor there. I enjoyed it, despite the story and mood having a vague similarity to other, superior films like Mr. Skeffington, Letter from an Unknown Woman, Magnificent Ambersons, even Citizen Kane (maybe it was Joseph Cotten's presence).
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