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Hate Mark Wahlberg, Looooove Milfs

Favorite films

  • Spirited Away
  • Isle of Dogs
  • The Truman Show
  • Baby Driver

Recent activity

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  • A Girl in the River: The Price of Forgiveness

    ★★★½

  • Hundreds of Beavers

    ★★★★½

  • Full Metal Jacket

    ★★★★½

  • Austin Powers: The Spy Who Shagged Me

    ★★★

Recent reviews

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  • A Girl in the River: The Price of Forgiveness

    A Girl in the River: The Price of Forgiveness

    ★★★½

    LSC 10 Week 27 - I STAN Movies Week:

    Pakistan

    A brutal reminder of how justice can be nonexistent in certain parts of the world. Be grateful every day that you or the people you care about don’t have to live under these conditions.

    A young woman runs away with a boy from a less than wealthy family. Her father and uncle find her, attempt to kill her, and leave her for dead by the river. They’re arrested, but instead…

  • Hundreds of Beavers

    Hundreds of Beavers

    ★★★★½

    Now this is the kind of slapstick you love to see. Hundreds of Beavers keeps escalating, getting better as it builds on its recurring gags, action set pieces, and increasingly elaborate traps along with the ever-growing beaver count.

    The level of skill and passion in this kind of filmmaking is rare. The people yearn for Looney Tunes stupidity, and this delivers in the best way possible.

Popular reviews

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  • Full Metal Jacket

    Full Metal Jacket

    ★★★★½

    Full Metal Jacket isn’t just a war film, it’s a brutal depiction of what happens when young men are stripped of their humanity and rebuilt into soldiers.

    The first act is easily one of the best I’ve ever seen, filled with some of the most iconic lines and scenes. At first, it almost plays like a dark comedy if you don’t look too closely, but as Kubrick shifts into the second act, the humor fades, and the true horrors of war take over.

    This is my review. There are many like it but this one is mine.

  • Godzilla

    Godzilla

    ★★★★

    LSC10 WEEK 6 - Watch a Kaiju film:

    I wasn’t expecting such heavy themes from a 1954 Japanese monster movie. It’s definitely aged, but it remains a cinematic achievement.

    The last 30 minutes are incredibly emotional and somber, and Serizawa’s character adds so much depth, tying the whole story together beautifully.