This is marketed as a comedy/horror and I think that is inaccurate. There is an element of irony to the cinematography designed to reflect how we placate, downplay and trivialise women’s lived experiences, while moments of levity remind us of the highs and lows that are natural to motherhood. However, it is in no way comedic in the traditional sense. The pacing is slow and repetitive which fabulously mirrors the drudgery and monotony of feeling “trapped” in your home in…
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Don't Worry Darling 2022
There’s so many films doing the “forced trad wife” trope and this one just felt less convincing. If you’re looking for this concept, but better, try “Held”. However, this film is very pretty. Sadly, despite it being visually beautiful it’s a bit dull.
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Irreversible 2002
Noé is the son of an artist and it is clear that film to him is less a matter of plot (after all, so many good stories are filmed badly) and more a matter of style and technique, in short, of art.
I saw this film for the first time not long after its release when I was around fifteen. I saw it again when I was in my twenties and, for the purpose of this review, again in my…
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A Mother's Embrace 2024
So, I get that this was a metaphor for childhood trauma. However, I fully don’t care. This creepy cosmic horror energy was on point. This was just everything you want in a horror film: characters you liked, dialogue you believed, decisions that frustrated you, creepy suspense… absolutely spot on. Every film I’ve seen so far at FrightFest has lost its way with the ending. This just slapped from start to finish.
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