Escritor de livros para crianças, jovens & quem mais estiver no miolo.
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U.S. Go Home 1994
Fazia um tempo que eu não me sentia tão desapontado (comigo mesmo?) por não ter amado um filme que eu amava antes. Acho que eu não entendo mais a juventude, acho que a juventude não me interessa mais. Só a infância importa pra mim. É, deve ser isso.
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You Can Count on Me 2000
Repito o que escrevi antes: eu merecia um filme como este todo mês.
Não tem. Não tem. Não tem.
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Crossing Delancey 1988
Stunning. From the get-go, quite Rivettean ("Is he an obsession?", from the guy selling books on the street; the crazy lady singing an incantatory hymm at a snack bar). The latter half is full-on Rohmerian goodness; Amy Irving reprises the most glorious, annoying, unsettling and batshit insane aspects of the Marie Rivière collage of characters I keep in my heart. What else is here? A marriage broker who eats like a pig and whose husband commited suicide for reasons unbeknownst…
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The Man in the Moon 1991
Atmosphere, nature, lyricism. Pastoral wonderland: the older sisters sleep in the porch--it's summer. And you could almost go from their house to the lake with your eyes closed. Such an intuitive film. I love how Reese's parents let her hang out in the cemetery, or how the mother can sense a sibling rivalry with just a glance, and even how the father is so attuned to their daughter's sensibilities. While it ventures into town, church, a dance, hospital, plans for college, it just never stopped flowing between the two houses, the two families, the two sisters. Very delicate, a small wonder.
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