Very much lets itself down when the last third succumbs to idiotic, spastic plotting which is especially so in regards to its politicising, of which is given far too little attention for far too much self-sanctifiation.
The rest of this is both a glorious ode to westerns and a PWSA greatest hits compilation that hits all the visual, atmospheric and choreography targets that Anderson has become so proficient at over his career with grace that is easily the best of…