Dominic Palmer

Dominic Palmer

Playwright, indie short film maker, theatre maker, transcriber and occasional actor.

Favorite films

  • Exotica
  • Glengarry Glen Ross
  • The Princess Bride
  • In Bruges

Recent activity

All
  • BRATS

    ★★★½

  • Oppenheimer

    ★★★★★

  • Chronicle

    ★★

  • Weird: The Al Yankovic Story

    ★★★

Recent reviews

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  • BRATS

    BRATS

    ★★★½

    So about an hour into this excusably fluffy nostalgia nonsense it becomes clear that, to quote an older review of mine, this is the doc equivalent of Don Simpson flying a helicopter to his school reunion. With each visit to his A-list compatriot's homes, Andrew McCarthy seems to be laying out a fuck-you to anyone who thought they were anything other than successful as a result of the offending article that coined the innocuous but apparently career destructive phrase 'The…

  • Oppenheimer

    Oppenheimer

    ★★★★★

    The biggest problem with Nolan's masterpiece - if I may - is that its devastating final moments will never be seen or felt by the people that need to: the psychopaths in power with their fingers edging ever closer to the boom button, egged on by people who believe the end times are a good thing for humanity.

    So it's all very well it giving me sleepless nights and Butters-like waking nightmares that the giant mountain Oppenheimer and others climbed…

Popular reviews

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  • Train to Busan

    Train to Busan

    ★★★★

    If United 93 was a zombie flick. Dark, exciting Korean horror with a thrillingly simple central premise: zombies on a train.

    Slick, witty, emotionally wrought, with hugely creative set pieces throughout, and some haunting horror imagery anchored by terrific performances. A gem.

  • Werewolf by Night

    Werewolf by Night

    Empty pastiche one off that does nothing, goes nowhere, and increasingly irritates with every cigarette burn edit, digitally scratched visual, and vacuously glammed and characterless villain wandering around like npcs in the muddy digital black and white graded photography.

    The werewolf transformation is genuinely good, though completely sold by Laura Donnelly's performance.

    The problem, for me, is not intent but execution. Every fight is Marvel-typical punchy kicky swingy duck, the black and white is used primarily to cover the therefore pointless gore, the direction stilted and paceless, and the whole project just feeling rote.