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Mahaan 2022
This review may contain spoilers. I can handle the truth.
"Ore oru vaazhkai, varalaara vazhanum"
Mahaan is Karthik Subburaj's mass magnum opus, with tight screenplay, insane cinematography, and a wonderful characterization of black and white. Unlike Vikram Vedha, a movie that establishes a line partitioning good and bad at the start only to muddle the colours into grey, Mahaan creates no initial distinction: they're both grey and yet in the eyes of the audience, they move across each other's lines to don those contrasting colours by the end. Both characters…
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