A quirky romance yields to human stupidity both small and large - the 80s feel is throughout but when the cops go up in flames you'll think huh this ain't so darn quirky now Gramps
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The Tomb of Ligeia 1964
This is looks quite different from Corman's other Poes (excepting Masque) - shot in England with a screenplay by Robert Towne, the tale of a vengeful dead woman is not unfamiliar but Towne manages to layer an unease not found in any other AIP feature - cerebrally creepy
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Bonnie and Clyde 1967
Hackman forces his personality to dominate the leads and even he is cut to the quick by the permanently irritating and pathetic (but wonderful) Parsons but all fall to the wonder of simple Michael J Pollad's rat C.W.Moss - has a film's "stars" ever been so undermined by the satellites?
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