Goddamn. This film is everything.
As badass of a story as you're wanting from a Toshirō Mifune film, and yet also strangely romantic. The female lead actually has some agency, and it even touches on a more complex view on masculinity at times.
I'd like to say that Kobayashi is an underrated filmmaker, but the presence of Harakiri and The Human Condition towering over everything else on the Letterboxd top 250 leads me to believe he's getting recognized at least in some circles.