A perfect movie in every aspect. As sad as it is beautiful.
The sadness in what you know you need but understand you cannot have, the beauty in what you thought you didn't deserve but found made you whole.
A perfect movie in every aspect. As sad as it is beautiful.
The sadness in what you know you need but understand you cannot have, the beauty in what you thought you didn't deserve but found made you whole.
Considering how ominous it can be, the horrific subjects and depictions of violence, there's a sense of comfort in Twin Peaks that doesn't exist anywhere else.
Doctor Hayward and Donna in the car when he picks her up after she snuck out, Lucy's sense of concern and worry for Andy when talking on the phone, Cooper and Truman's camaraderie building up with each interaction throughout the day from when Cooper drove in until the donut dinner, Big Ed telling you to take it easy.
Pure humanity.
Qu'est-ce que çest...disguise?
Pure style. Not a single wasted frame, and all looking immaculate.
Wasn't expecting a "sad, lonely man" movie, will add it to the list. I can only assume Paul Schrader loves this movie.
No patience, no lingering, just a rush to go from one Look How Cool! visual to the next - which goes at odds with some wonky-looking CG. This entire movie should've been as slow as the Count's speech.
Some great performances, but just pure style over substance overall. Paint-by-the-numbers Modern Arthouse Horror Cinema.
Willem Dafoe is a treasure as always.