"Meshes of the Afternoon is my point of departure. I am not ashamed of it, for I think that, as a film, it stands up very well. From the point of view of my own development, I cannot help but be gently proud that that first film — that point of departure — had such relatively solid footing. This is due to two major facts: first, to the fact that I had been a poet up until then, and the…
