Stranger arrives, stirs up the stagnancy, eroticism ensues. There’s no greater genre. Yes, it’s been done a 100 times, but this rendering is purely idiosyncratic, drenched in the cleanest sunlight that contrasts against a dusty factory and the bodies within it. Time moves as slow as an aimless summer day, unfolding the desires of these characters when the time and the tension are right. Beautiful.
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Madeline: Lost in Paris 1999
Nostalgic traumatic fever dream. Although it should be titled Madeline: Kidnapped in Paris
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