Salvation, a central concept for Malick that is explored here with a striking tenderness. I’ve put off watching this, sad to finish his filmography—except the VR one and the one at AFI—but I think I saved the best for last.
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Presence 2024
Premise-core meets morality play, skillful formally but sooo mid otherwise.
My script re-write: Lucy Liu works as a fixer for a chemical firm, tortured with the knowledge that she killed two girls in her daughter’s class with a toxic spill that she’s trying and failing to cover-up. Then the daughter comes down with a mysterious illness and we are forced to powerlessly watch as the secret destroys her family and kills her only daughter. Basically a reverse Erin Brokovich. Soderbergh hmu
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Emilia Pérez 2024
The 20 production studio logos at the beginning were a red flag
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Nosferatu 2024
This made me think that the pursuit of perfection and attention to detail are at odds with the beauty that arises from randomness and chance. Fincher or Nolan-level polish meets the grating Wes Anderson-style blocking and framing. Also felt like a Final Fantasy or Kojima cutscene with no swag
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