Robert Flaherty
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Recent papers in Robert Flaherty
American observational documentary pioneer D.A. Pennebaker traces his embrace of film-making as a ‘witnessing process’ that allows him to reach a unique understanding of his subjects in this conversation on several rarely discussed films:... more
В статье, на примере классического этнографического фильма «Нанук с Севера» Роберта Флаэрти, проводится рассмотрение кинообраза культуры эскимосов Севера Канады. Методом анализа фильма как визуально-текстового произведения явилась его... more
A full account of Frances Hubbard Flaherty's and Robert J. Flaherty's stay in Samoa and the production history of Moana (1925). This account maps the early development of documentary as a form with a focus on colonial and imperial... more
Kuzeyli Nanook filmi 1922 yılında sinemaya getirdiği yeni bir tarz ile sinemanın gelişimine asla azımsanamayacak katkılar sunmuştur. Ama bugün anladığımız ve kabul ettiğimiz belgesel film özelliklerini filmin gerçekliği kurgulanma şekli... more
The final shot of German director F. W. Murnau’s 1931 masterpiece, Tabu: A Story of the South Seas, is an especially suitable coda to this silent-era filmmaker’s career – one that, despite its epic heights and lasting influence, was often... more
در میان سبک های مختلف فیلم، جنبش سینمای بی واسطه یا سینمای مستقیم در آمریکای شمالی که همزمان با سینما وریته یا سینمای واقع گرایانه فرانسه، توسط افرادی چون رابرت درو و ریچارد لیکاک شکل گرفت را می توان از تاثیرگذارترین سبک هایی دانست که نه... more
From the variety of film styles, the movement of Direct Cinema in North America shaped alongside the Cinéma Vérité (realistic cinema of France) by filmmakers like Robert Drew and Richard Leacock. The movement which could be seen as the... more
In 1932, Metro-Goldwyn-Mayer (MGM) started the most popular series of Tarzan films with Tarzan, the Ape Man. Directed by W. S. Van Dyke, the film was not the first big-screen adaptation of Edgar Rice Burroughs’ incredibly popular book,... more
Il 1° marzo 1953 esce il n. 4 della rivista di settore “Cinema Nuovo”: al suo interno, un articolo intitolato Proposte per un film contiene un soggetto firmato dal critico cinematografico Renzo Renzi. Ispirato ai racconti di Renzo Biason,... more
In "Flash Flaherty: Tales from a Film Seminar," edited by Patricia R. Zimmermann and Scott MacDonald. Bloomington: Indiana University Press, 2021. (Originally published in a companion blog to "The Flaherty: Decades in the Cause of... more
English language version of my conference presentation "Dwa podejścia do prawdy w kinie dokumentalnym lat 20. - przeszłość Roberta Flaherty'ego i przyszłość Dzigi Wiertowa".
Robert J. Flaherty’s film Louisiana Story (1948) has been categorized alternately as a documentary and a fiction film. Over sixty years after it was made, there remains no consensus among film critics and historians on the film’s genre. I... more
Resumo: Ao contrário de uma lógica que divide o mundo entre humanidades subjetivas e uma natureza objetiva universal, pensamentos ameríndios nos trazem novas formas de ver relações entre humanos, animais e seus outros, e entre visível e... more
Sengoopta, Chandak (2009) The universal film for all of us, everywhere in the world: Satyajit Ray's pather panchali (1955) and the shadow of Robert Flaherty. Historical Journal of Film, Radio and Television 29... more
Link requires subscription. Review in the Times Literary Supplement of "The Long Exile: A true story of deception and survival amongst the Inuit of the Canadian Arctic" by Melanie McGrath. 288pp. Fourth Estate. £16.99. ISBN 978 0 007... more
Famed director Robert Flaherty’s first direct sound film, Oidhche Sheanchais, was recently discovered at Harvard University. This article discusses the impact that the discovery will have on our understanding of this short film,... more
Cette analyse, à contre-courant de ce que l’on a longtemps dit de l’œuvre d’un cinéaste réputé contemplatif, vise à mettre en évidence le rôle créateur du montage dans L’Homme d’Aran. Elle montre comment, dépassant la contradiction entre... more
O grito é uma ação presente no cinema silencioso desde os seus primórdios, quando os ambientes cinematográficos eram caóticos e carregados de todo tipo de som. No crepúsculo do cinema silencioso, nos anos 1930, o grito converge para... more
Czym jest prawda w kinie? W początkach kina dokumentalnego pojawili się dwaj wybitni reżyserzy o krańcowo różnej wizji dokumentu, mowa tu o Robercie Flahertym skierowanym ku przeszłości oraz Dzidze Wiertowie postulującym przyszłość w... more
Presentación tramposa al texto homónimo de Robert J. Flaherty (1939)
Áras Mháirtín Uí Chadhain, NUI Galway, An Cheathrú Rua