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stories have a way of changing faces

@avi-why / avi-why.tumblr.com

avi / he/they / spec writer / @kugelcoward, @podcastgay & @inkbirds are  me / icon by @drawingstuffpng  / free palestine 🇵🇸

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socials:

stories (published)*: 

*most should be free to read, but the ones marked with an asterisk are behind a paywall. ones that are in italics are also available in audio form!

  1. anatomy of a haunted house
  2. bees on the brain
  3. build-a-body 
  4. the body fate
  5. carrying stones
  6. claim the dead
  7. desert death don’t stick*
  8. desquamation
  9. egg/shell
  10. fencing chestplate*
  11. hurricane season
  12. mycophagy
  13. quantum eurydice
  14. six steps to become a saint
  15. tadpole prophecy
  16. triptych

stories (forthcoming):

  • the wi-fi womb
  • rinse and repeat
  • track eats track
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Anonymous asked:

💌 hi it's avi :) i feel weird just asking for compliments so here is one in return! i <3 ur fashion sense its swag as hell

hiiiiiiii avi ive said this before but as someone privy to ur not-short story writing i luv how ur scifi-specfic background makes u write really interesting and unusual and fresh work!!!! and i <3 ur blue hair pronouns swag

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Trad pub hopefuls paying editors in order to 'have a better shot' at landing a book deal are shooting themselves and other hopefuls in the foot. Stop normalizing this.

What freelance editors want aspiring trad pub writers to think:

  • Trad pub is such a competitive field that paying them is the only way you have any hope of achieving your dreams.

What freelance editors conveniently forget to mention:

  • If you don't tell your agent and/or publisher that you used an editor beforehand, they will expect your future work to come with the same level of competence. If you can't produce that on your own, you're now stuck in a loop of paying an editor out of pocket. Even if you find some success as an author, that by no means guarantees that you can just eat the cost.
  • Developmental editing takes time. If your publisher wants another book from you, they will give you a deadline that may not allow for your writing process plus time with a freelance editor. But the publisher expects the same level of work you seemingly produced on your own, so you're now stuck in a loop of paying an editor out of pocket.
  • Trad pub will find any excuse to not pay for something. If they hear from enough of their acquired writers that people are willing to pay for their own editors, they will not hesitate to make that the norm and cut the cost. Having a huge chunk of the marketing burden placed on writers' shoulders was bad enough. Now we're all stuck in a loop of paying an editor out of pocket, meaning what little money authors make is further eroded and the industry further enshittified.
  • Being expected to pay for your own editor single-handedly axes the chances of poor writers. It makes trad pub pay-to-play, maybe not to the exact same level as indie pub, but enough to count out anyone who can't afford to pay an editor. A huge swath of poor and marginalized voices fly out the window as a result, and further solidifies the prevalence of straight, white, male voices.

Be wary of anyone who tries to sell trad pub hopefuls freelance editing, even if they frame it as optional. The only people who win from this practice are publishers and the freelance editors themselves.

Looking for some of the best science fiction and fantasy coming out of Africa right now? Here's a list of recommendations from Wole Talabi, Lauren Beukes and T.L. Huchu, from their 2024 Glasgow Worldcon panel "Through an African Lens".

The list

  • Rosewater - Tade Thompson
  • Lagoon - Nnedi Okorafor
  • Mermaid Fillet - Mia Arderne
  • Dazzling - Chikodili Emelumadu
  • The First Murder On Mars - Sam Wilson
  • The Theory of Flight - Siphiwe Gloria Ndlovu
  • Triangulum - Masande Ntshanga
  • The Djinn Waits a Hundred Years - Shubnum Khan
  • Ghostroots - 'Pemi Aguda
  • Womb City - Tlotlo Tsamaase
  • The Year's Best African Speculative Fiction - Oghenechovwe Donald Ekpeki and Chinaza Eziaghighala (ed)
  • Zoo City - Lauren Beukes
  • The Library of the Dead - T. L. Huchu
  • Drinking from Graveyard Wells - Yvette Lisa Ndlovu
  • Digging Stars - Novuyo Rosa Tshuma
  • Glory - Noviolet Bulawayo
  • Shigidi and the Brass Head of Obalufon - Wole Talabi
  • Intruders - Mohale Mashigo
  • AfroSF - Ivor Hartmann (ed)
  • It Doesn't Have To Be This Way - Alistair Mackay
  • Azotus the Kingdom - Shadreck Chikoti
  • Dazzling - Chịkọdịlị Emelụmadụ
Online, they also suggest The African Books Collective, the Sauutiverse, and AfricanSFS.
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Your call is important to us. Please stay on the line...

You are next in queue for.... [Phone Call With Genetrix, Friday, 3pm by @avi-why]. Your expected wait time is [11520 Minutes, March 15, 2025].

To receive information about the Archive of the Odd Issue 5 Pre-Order, Press 5.

i don't know who needs to hear this (I need to hear this) but short stories require a sliiiiightly different skillset from longform fiction. or at least, you need to think a bit differently about the skills you use to tell stories when those stories are short. so if you're just getting into writing short stories but you're used to longform fiction and think that you suck at short stories, you most likely don't suck. you just need to practise more until you can shift your writing skills into a smaller scale.

basically I think that if your protagonist doesn’t want to fuck someone so bad it makes them look stupid, then there probably isn’t enough energy in your story. “Fuck someone” isn’t literal btw—they can want to uncover the secrets of their parent’s death, they can want to prove their worth, they can want a donut from one particular bakery—it can be anything so long as they want it so bad that they’ll make decisions that make any sane person go “are you a moron??”, with little to no forethought, or even tons of forethought and this is still the option they chose. Because they want to fuck that thing so bad.

riding the trolley out of omelas because i'm a little too shaken to walk rn and i just heard this weird thump from the tracks. probably nothing

an interactive horror story by elliot degrassi

A women's crew team plagued with internal debate over who is allowed to row in their league finds themselves stalked by a river monster. 

cover art by @fruityhag

~~ 🚣‍♀️ ~~

hi all i truly never post original content on here (to the point that this is literally my first time using the new post editor... whew,,,,,) but i spent the last week writing this twine about team sports and transphobia and i'm really proud of it and hope people play <3 let me know what u think!!!

[image description: cover art for "don't rock the boat," a stylized illustration of a crew team in a boat, shown from above. large ripples emanate from where the oars meet the water, and a massive dark shape looms ominously beneath the boat. end id] - id by @lichfucker <3

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Reblogged emoclone

one critical piece of advice is that opportunities are fractal doorways

you can take an opportunity that seems small, a group meeting for an hour once a week let's say, and if you really commit and put a lot of effort into even a small opportunity, if you work to prop open that passageway, then you will find that it can surprisingly quickly multiply into many future possibilities, many future paths.

one of the members of your small book club desperately needs a babysitter for the weekend. that's a gig. another one hits it off with you on some obscure topic. the bulletin board at the place you meet has a flyer for a class on writing. you go, and now you're in an environment full of other people who are there for the same reasons. talk to them. over drinks one night an older member encourages you to apply for uni with one of your short stories you wrote for the class. et cetera.

I spent a lot of time paralyzed with indecision, trying to find just the right opportunity to get me where i wanted to go. that's the entirely wrong way to go about it. practice pursuing possibilities is more important than optimizing your choice of path, waiting for just the perfect opportunity to magically drop into your lap. It likely won't happen like that, it's not necessary, and you don't need to live your whole life at once. Frodo didn't arrive at Mt Doom by making the optimal choice on the first crossroads out of the shire.

Instead cultivate an attitude of engagement with whatever imperfect seemingly insignificant opportunities that are already in front of you, and keep an open mind & eyes, and trust in the fractal nature of reality. look for threads to pull, opportunities to pursue, and engage with people as if every one of them has something new to teach you, and somewhere new to take you that you've never been. they probably do. the more you engage the more you'll find out that this is true; trust that paths will lead to more paths even if you can't see them yet. trust that the big scary void question mark of a future contains not only unseen dangers but also an unseen unfurling infinity of options and paths, friends and lovers, work and play. i love u

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vis a vis the neil gaiman article that just dropped on vulture (TW: SA, like, jesus christ, so much SA), heres a list of non-exhaustive list of stuff to consider if you're a young woman (or hell, young person) trying to break into a social scene/community that includes older people who have more social clout / financial means (deliberately vague scenario, examples would be a 20-something fan interacting with NG, a 18 yr old writer interacting with someone who edits a prestigious magazine/has gatekeeping power for a publishing institution):

  1. there is always a whisper network in a community. what you want to do is try and get access to that whisper network. dont expect this to be exhaustive.
  2. if someone offers you something huge without a contract or with vague promises of payment, or says something along the "you have so much potential, if only u follow my guidance" this is a red flag. granted this might be something, but only if it is followed up with official channels. AND EVEN THEN. THIS IS SUS.
  3. anything anyone asks you to do in secrecy / under the table is SUPER SUSPECT.
  4. peoples writing does not reflect their personal character and you should not expect it to.
  5. dont be in a room alone with a strange older man, even if he's your favorite author.
  6. older women can either be your advocate or will have the attitude of "well, i went through x, you can get through x." dont expect them to help you or prevent you from walking into a bad situation.
  7. the line between social favors / professional favors / expecting personal repayment for professional things can get...blurred with some people. if someone tries to blur these lines and they're a stranger/acquaintance? this is a BAD SIGN.

all of this is pretty obvious shit but its also just like. idk. people sometimes want to hurt you, or youre collateral damage, and the fiction world has a lot of freaks, some of whom are in high social status positions.

one more addition, actually: 1. someone being queer / poc / etc / relating to you along that axis does NOT mean that they'll be on your side automatically.

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If you're a fan of weird botanical horror, consider pre-ordering Her Fruiting Body, a new zine from Neon Hemlock. This zine contains poetry, a comic, and flash fiction, including my story "Womb-Bed." 💚

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