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A Vampire and A Scientist Escape from a Lab

@bloodmoodtrash / bloodmoodtrash.tumblr.com

Moodboard for a really silly writing project! Reblogging posts with good vibes or silly jokes about vampires.

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Click here (link) to read all of Arc 1 in order

Click here (link) to join the Discord where I post one chapter a week

My main blog is @northwyrm

My characters are Harriet the scientist, Victor the vampire, Trixie the fairy, Agent 64, Matt the telepathy scientist, Luke the goth vampire and Giles the scary vampire.

Bloodmood is a story about Harriet, Victor, Trixie and Agent 64 teaming up to capture vampires (Luke and Giles) and the whacky obstacles they face (werewolves, unicorns, supernatural bounty hunters, goblins, gnomes etc.)

Happy Storyteller Saturday! What's with the bird names for Winter Winds? uwu

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Happy STS! Thank you for the ask, I'm just getting back on my feet a bit, but I liked this ask so much I had to answer it!

So cursebreakers are both revered and reviled, and when someone chooses to become a cursebreaker they eschew their old life and their old name and they choose an innocuous one. It could be a type of tree, or a rock, or an animal, or a bird, something that doesn't tie them to a place or a family.

Nightjar was born Rura, but chose Nightjar when she became a cursebreaker. She decided that when her daughter was born she wanted to keep her with her, travelling together, no father, no connections, just as anonymous as Nightjar herself, so named her after a little common bird that she often saw on her travels.

Now, she called her wife Siskin as a joke because of the colours she wore when they met, all greens and yellows, and when they adopted their son, Pipit chose to call him Finch, so that he would fit in. It was her way of accepting him into the family, so he was more than happy to go with it.

So really the bird names aren't super important to the worldbuilding, just to Nightjar's little family :)

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Out of curiosity what do you guys consider a 'good ending'? You read a story and it ends and you're like "oh yeah that ending was satisfying!", can you give examples?

I’ve merged everyone’s points (some of which are contradictory, but we all like different things in an ending!) into a short list, I hope I do not misrepresent your points!

A summary of the hints and tips;

  • Focal conflicts addressed (not necessarily resolved)
  • Complete both character and theme arcs
  • Consistency with characters, plot threads, themes, tone – do not contradict character development/choices – the themes don't contradict themselves (even if the characters do)
  • Avoid deus ex machina, 'a wizard did it', 'aliens did it' and other abrupt nonsensical plot twists unless they are relevant to established themes
  • Do not rush ending, give it time to breathe
  • You should be able to trace sequence of events leading to the ending. Ending should make sense for the characters, reader should leave the story with a feeling of “of course!”
  • Learn how to hold tension, and when to break the tension at the right time. Make it a good set-up and pay-off
  • Ending should be achievable due to how the character has changed throughout the story – character at start of the story would not behave the same way as the character at the end.

And, themes/character arcs permitting;

  • Main character has agency, their decisions should matter (unless you specifically have a theme about loss of control? Recently got a copy of Metamorphosis so bug boy's terrible situation is on my mind)
  • Happy characters or characters with a promise of healing

Out of curiosity what do you guys consider a 'good ending'? You read a story and it ends and you're like "oh yeah that ending was satisfying!", can you give examples?

Comes down to a few factors for me:

1. Not rushed. I can think of at least one book where it threw in the fact that a prominent side character achieved the same status as the protagonist in the last… 75 pages of the whole series? And I would have really liked to have that explored instead of summarized as part of the ending.

2. Doesn’t contradict any previous character development/choices. You’d think this would be a given, wouldn’t you? And yet we all know what happened to Game of Thrones.

In fact I’ll take it a step further and say

2.5. The ending should have only been achievable because of who the character has changed to be throughout the course of the story.

If character development has gone the way it needed to, it should be easy to imagine the Chapter 1 version of your character being confused, appalled, aghast, at the way their Chapter End self has acted.

But because we’ve been on the journey with them, it should make sense to the reader!

3. Consistent with the tone of the rest of the book. This is a little harder to achieve on a first draft, so I think it’s definitely an editing problem, but I think it does a lot of heavy lifting for a satisfying ending. This is in line with other sentiments I see discussed around here about needing to earn a tragic ending as much as earning a happy one.

2.5 is the lightning in the bottle, I am looking at point 2.5 like "oh oh oh I gotta use this..."

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