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Manuscripts Don't Burn

@devirnis / devirnis.tumblr.com

ali, she/her · 30s, ace · games, shows, movies, books · i'm completely normal about the media i enjoy (lying) · header: olismabel
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on a hot summer night [9-1-1 | Buddie | 1/1]

4.2K words | explicit phone sex | first time | feelings realization | sexual fantasy | blow jobs

"All right, fine, what—what are you wearing then?" Buck asks, laughing.

And Eddie—pauses. Goes still, beside his bed, in the dark bedroom that still doesn't feel like his. Through the open windows, he can hear the low drone of insects. The glass bottle is sweating condensation against his palm, and his skin feels damp and hot.

His pulse thumps in his ears. He sits on the edge of the bed.

"Eddie?" Buck says, and he can hear it in his tone, the anxious apology, the imminent backward scramble. "Listen, hey, I—"

"Boxer briefs," Eddie interrupts, which is true, so he doesn't know why it sends little panicky shivers racing through him.

"Oh," Buck exhales. "Uh."

"Dark blue. Hanes. If you were wondering."

Buck laughs, breathless, a little strange. "Ah, yeah, okay. Makes sense."

And they should leave it at that, probably. Definitely. They should definitely leave it at that. But Eddie's got something thrumming in his veins, pulsing with his heartbeat. It's not the same thing that made him walk into the ring years ago, but it's not entirely dissimilar, either. There's that same sense of free-fall recklessness. Stupid, aimless, break-everything recklessness.

"What about you?" he asks.

He listens to Buck inhale sharply over the phone. "Um."

"Gonna leave me hanging?" It comes out challenging, almost sharp. He doesn't know why. His senses are electric like he's on the edge of a fight.

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Tagged by @homerforsure for wip Wednesday! Since I already killed Bobby once I’m thinking about the ramifications of him coming back….

The headline of the first article reads BELOVED FIRE CAPTAIN HONORED AFTER TRAGIC LOSS. LAFD captain Robert Nash was not a Los Angeles local, the text starts, but in his near-decade working for the city he made a huge impact. Having worked through every major disaster of the last few years, words of thanks and praise have poured out from citizens he worked tirelessly to save and fellow firefighters who were with him in the field. Not only
The newspaper is folded here. Eddie remembers the big picture they had right in the middle of it, Bobby in uniform from the LAFD website. He looked all stiff, had that strange swollen smile he alway had in photos he had to pose for. The top of it shows over the crease. Eddie doesn’t turn it over.
MIRACLE ON FOURTH STREET the second article declares. Bobby had made a face at the joke when Chimney had shown it to him in the hospital, and they’d all cracked up. LAFD fire captain Robert Nash, thought dead after last week’s gas explosion downtown, was found alive after four days buried under rubble from the blast. Rushed to Cedars Sinai in critical condition, this firefighter with nine lives is now
A fold in the paper. The photo had been of the 118 this time. Bobby’s smile was much more genuine, standing there with them all. Buck was standing next to him and even in the grainy newspaper reproduction his face was a little blurry because the camera had gone off as he was turning to look at him. You can still tell he was smiling, though.
Eddie doesn’t turn this one over, either. He stacks it carefully back under the first, and hides them where he found them in Buck’s drawer. Living out of a duffle bag tucked into the corner of what used to be- is- used to be his living room hasn’t proved particularly difficult, but he has lost track of all but one sock apart from the desperation pair with the holes in the toes. He figured Buck wouldn’t mind him borrowing a less threadbare option. Eddie closes the drawer empty handed and goes out to the living room, grabs the old pair. Follows the noises of metal whisk against metal bowl into the kitchen. Holds them up.
“I gotta do laundry, man.”
Buck looks over at them, a smile tugging his face around at the sight of the socks. “I’ll put in a load later,” he says, no particular inflection to his voice. Why would there be one? They’re just talking about laundry.
“Okay,” Eddie says.
“Cool,” Buck says. He turns back to his work.
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WIP Wednesday

Tagged by @glorious-spoon 💗

Do I know where I’m going with this? Kind of and yet also not really! Thanks for asking!

Champagne is the last thing Buck is craving when he drags himself up the stairs of his apartment after a night spent watching the citizens of LA suffer the consequences of some of the worst decisions he’s ever seen. New Year’s Eve is always like that–some people can’t help but treat the end of the year like the end of the world–but the car accidents and overdoses and exploded fingers are hanging heavier on Buck’s shoulders than they have before. Even the familiar post-shift ache in his body feels less like the accomplishment and reassurance of his own strength that it usually is and more like another repetition of a cycle that will never end. The year will always end like this. People will always die. Buck will always hurt.
That cynicism sits in his stomach like a questionable convenience store sandwich. It doesn’t belong and his system is already starting to revolt. Eventually Buck will purge it–if it hasn’t poisoned him too badly in the meantime.

I drifted into this kinda melancholy bleh tone that I’m not overly fond of, but I think if I can make something pop in the jumble of scrabble tiles that makes up the next paragraph then it might work.

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Reblogged eowon

he just looks so torture-able . like it would be a disservice NOT to torture him.. . he WANTS to be tortured

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giving in (7.3K)

What if he did let his wolf take over fully? What if Eddie shifted into a wolf and stayed that way? It would please his parents, because he wouldn’t be fighting to get a chance to talk to his son. Chris would probably be happy too; the man who had failed him gone forever. Buck wouldn’t have to take pity on him and spend time with Eddie instead of going on dates to find his next big love. The team would also probably appreciate it because they wouldn’t have to carry his dead weight. The thought grows and grows in his mind. The wolf prowls restlessly inside, growing desperate to come out. To stay out.
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bucktommy | rated e | 4.9k

A nervous excitement floods through Tommy as they wait for the Uber outside of the bar. It’s Evan: Evan is here, with him, one hand tucked neatly into Tommy’s back pocket and the other holding his phone as he watches the little car on his screen get closer and closer. It’s Evan, out of nowhere, at this out-of-the-way bar that Tommy has never been to before tonight, like a miracle or fate or something else that Tommy doesn’t believe in.  Maybe he’ll have to re-evaluate his stance on higher powers, though, because a strong breeze blows down the street and Evan tucks himself against Tommy’s side. Tommy wraps an arm around Evan, pulling him closer, and he lets out a happy little sound, burrowing further. He’s always cold, Tommy remembers, could never forget—could never forget a single thing about this man he’s been desperate to call for months. It had taken him about two days after the breakup to lick his wounds and lower his shoulders enough to realize he’d made the biggest mistake of his life. He just didn’t think he’d get the opportunity to walk it back.  Now, though, Evan is here, shivering against him and nosing along his neck. Evan drops an open-mouthed kiss to the hinge of Tommy’s jaw, then licks over it. Now Tommy is shivering too.  “You cold?” Tommy asks.  “Yeah.” The word is hot and humid against Tommy’s neck. Another kiss, another lick: Evan digging his tongue into Tommy’s skin.  Tommy tilts his head to the side to give Evan better access, heart pounding. This is happening. He wraps his other arm around Evan’s back, pulls him in tighter, more securely, more snugly. He never wants to let go again.  “How’s that?” he whispers into Evan’s ear.  Their hips fit together and Evan moans softly. He clings onto Tommy with both hands: the one still in Tommy’s back pocket, squeezing his ass, and the other now snaking up to cradle Tommy’s face. Tommy could almost let himself think that Evan missed him too.  “Tommy,” Evan whispers. He pulls away from Tommy’s neck, looks at him—into his eyes for a moment, roves over his cheeks, then Evan drops his gaze to Tommy’s mouth. There’s an almost smile on his lips, more like a smirk, a brief flash of something wondrous, and then he’s diving in. 

tags under the cut

Some Like It Hot (1959) dir. Billy Wilder

Oh yeah there was a lot of "Hayes Code be damned, all of us making this film are queer/friends with queers and we're going to have some fun with gender identity" in this film. That's why it still holds up. It's not a story based around getting a laugh out of dressing men up as women so they can be clowns - there's an integrity to the cross-dressing. Daphne is an identity Jerry realized he had when he put on a dress. Every time he chooses to keep his wig and outfit on and maintain his feminine mannerisms while alone with Joe, it shows his comfort in this identity, and it elicits laughter from the audience through the dialogue, ie. the audience isn't laughing at the fact that a man is in a dress, but at the characters as fleshed out characters and human beings. The laughter comes from the situations the characters are put in and their reactions to them, not from a parody of womanhood presented through a male perspective. Similarly, Osgood's classic line at the end of the film is an affirmation that he likes Jerry as he is, even if he's Daphne. It's a way of getting the audience to say, "this is fine, we're comfortable" through laughter to something socially unacceptable in its time.

Joe's masculine identity, meanwhile, is used to highlight his misogyny and force him to understand it (and the same with Jerry, but as he's less of a womanizer, there's less of a point to be made with him). In a world where men and women often had separate social circles that overlapped only when romance was on the table, putting a man like Joe in a female space where he's privy to the conversations and emotions that his actions elicit gives him a lot to contend with and understand because he can see the consequences of his actions as raw pain and secondhand, instead of as anger being spewed directly at him. Again, the joke isn't that he's a man in a dress, or that he's parodying womanhood, it's that as a selfish misogynist he's put in situations where he's forced to empathize with the experience of womanhood in order to convincingly enact it for his own safety.

There's a whole lot more to unpack in the metaphor of these two men having to pass as women because their lives are at stake if they don't.

Okay so for one of my screenwriting and film studies sections I wrote a paper comparing the language of clothing and feminism from Wilder in two of his films, The Apartment and Some Like it Hot.

Now I am not going to spew out a wall of text on the subject or anything, but I did want to point out that he did not just "sneak things by" the code, he actually deliberately REFUSED to abide by it at all for this film, he willfully refused to even apply for the certification, he knew it wouldn't pass, and he knew he wouldn't bend to let it pass.

He and the studio took a gamble that a Wilder-Curtis-Lemmon-Monroe flick would do box office and get play without the "seal of approval" from the code folks.

And he was right.

it is absolutely essential to have friends you can have extremely insane pervert conversations with. this is kind of what makes life worth living

we need to bring back inviting people over for cake and coffee. my grandma used to do that all the time and I think it's a lost art

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