1. Not - series
2. Again and. Again - series
3. Bruce hears Reader call someone else "dad." - drabble
4. Reader who only recognizes Alfred - drabble
5. [UN] Fair - series
6. Adorned in pearls (although Bruce here is not platonic…) - one shot
7. Batfamily with a Shallow Reader - imagine
8. Reader in Squid Games - imagine
9. Crack Baby - series
10. Smalltown Meta!Reader - series
11. Forget me not - series
12. No more Chances - series
13. Inmorta! Reader - series
14. Undoing Fate - series (it's not yandere but it has my favorite cliche so…)
15. Tip toes - series
16. Meet The Waynes - series
17. Bring back the dead - series
18. Obsessive reader in the shadows - imagine
19. There are two fanfictions here, the first fic doesn't have a name and I don't know what to name it. - series
20. Who said money can´t buy hapinness (considering the # I assume that the batfam is platonic….but I'm not sure) - series
21. Between life and death, death is tempting - series
22. Ain´t no sushine - series
23. Beyond the Bat - series
24. Crow choir - series
25. Waterbone - drabble
26. Marine!Reader - one shot? drabble?
27. Saboteur - series/imagine
28. Unwanted embrace - series
29. I'm almost sure this was one of the pioneering stories in this trope. - one shot
30. Little Demon - one shot
31. Goodbye World - one shot
32. Batsis wakes up in a fanfic - imagine? drabble?
33. Batfam playing with Reader - I think it's a drabble…I don't know
34. Pity Party - series
35. Yandere Al Ghuls! - series
36. How would they spend time with you after the kidnapping? -drabble
37. You´re a fucking weird hacker - one shot
38. Lucid Dreams - series
39. Ghost of the Past - series
40. Soulamate Soul Animal - series
41. Good Look(includes more DC yanderes characters) - series
42. Web Bound (It is NOT yandere, but it does have obsessive characters) - Series
43. Bug like Angel - series
44. The other family - one shot
45. Batman! Damian Wayne x Robin! Reader - one shot?
46. Children!Reader who loves Tim more than Dick - headcanon
47. Yandere!Batfam Headcanons - headcanon xd

1. What We Want - series
2. The sinfull Allure (the story is not yandere, but it has the batboys, and I love this reverse harem) - series
3. Seven Days a Week - Hit me Hard and sort - two series
4. First married to Bruce - one shot
5. As Yanderes´ Universe - one shot series?
6. Polyamory with Aged Up! Damian Wayne and John Kent - imagine
7. Sisters!Reader x Batboys - Headcanon? (according to the hashtags)
8. Greetings - drabble?
9. How Dick and Damian would handle learnig reader is dating somebody? - Drabble?
10. Addictive - Series
11. Do You Think We´ll Be In Love Forever? (includes more DC characters) - various drabbles
12. Perfect Life - one shot
13. Batboys and reader who knows - headcanon set?
14. Checkmate - one shot
15. Tim Drake x nursing student!Reader - one shot
16. Remedial Lesson (18+) - One shot
17. Dommy Mommy!Reader - headcanon
18. Reader hosted by Tim Drake - one shot
19. Yandere self-aware Dick Grayson - headcanon set
20. Moon Prism Power! - imagine
21. What types of yanderes would the Batboys be? - headcanon
22. Yandere!Batboys x Reader HC - Headcanon

Characters don't talk like they are reading from an instruction manual. Personality, experience and other factors effect how your character might speak. Next time you are in a group setting, focus on how the people around you speak, whether its the sentence structure, the tone, the volume or the flow of their words. No character speaks the same as another, and nor should they. I go further into this in this post here. Now you have established your character's voice as it pertains to personality, now consider the actual voice of your character. How would you describe your character's voice? Even if you don't include a description of it in your narrative, you should have some idea of how your character speaks. Some people have gravelly voices, high pitched voices, clear, garbled, etc. You can of course, fan cast a voice if you wish. The way your character speak can give away things about them as people. Contractions, slang and colloquial phrases are often used to denote those of working class or poorer factions whether the lack of them, including a larger vocabulary, are often attributed to a wealthier, more educated class. You can say a lot about somebody by the way they speak and is an important tool in the entire show don't tell deal. Speaking of...

• Concealment: Like I said before, characters will sometimes chose words or specific tones when speaking or breaking off at certain points to conceal what they are thinking. The dialogue might look something similar to using different approaches either with a character trailing off before the offending phrase (...) or catching themselves (-) or hesitating/considering their words/pausing before speaking. It doesn't often mean a character is being evasive, they may be avoiding harming somebody's feelings.
• Class/Social rank: Like I said above, the way somebody speaks can be an indication of their status in society. This is not a bad thing, we have different ways of speaking because we come from different walks of life, we have totally different experiences. Writing the character's voice with this in mind can indicate your character's background.
• Nationality/Culture: As in the real world, we don't all speak the same language, it makes us who we are and marks out our culture and place in the world. Phrases, sayings and specific words or even pauses to consider the wording or sentence structure can denote a character from having a different mother tongue or culture than those around them. Your character may sometimes have to tailor what they say to somebody of a different culture or nationality even if they speak the same language. For example, if I'm writing a post here or in my WIP, I often have to steer clear of slang, sentence structure. grammar structure and phrases that non-Irish people are not familiar with.
• Emotion: Emotion and dialogue walk hand in hand, a character will not speak without some emotion behind it and most emotions make us want to say something. Anger will make our words sharper, harsher, more abrupt. Happiness will make words flow faster, more positive and sometimes even jumbled. Grief will make one sound disconnected, numb and unable to think straight. The way your characters speak can tell your reader and the rest of the cast able to read their emotional state even if they cannot see their face or your helpful dialogue tags.
• Sensibilities and Personality: Word choice and avoidance of certain words can tell somebody a lot about the person speaking. Somebody who avoids cursing or using 'vulgar' language might be considered proper, mannerly and formal. Somebody who does might be judged. Somebody who avoids topics that are considered taboo is somebody who aligns to social norms and expectations while somebody who tends to venture into incendiary topics is likely not and more free willed. These are not bad things but it can tell you a lot about the person speaking or in the way that person responds to somebody's words.

• Accused: Used to pin the blame on somebody.
• Added: Usually used when the character is adding to something they or somebody else has said.
• Agonized: When a character is distressed over something.
• Agreed: Used when a character allows something or agrees with something that is said.
• Acknowledged: Used when giving voice to a fact.
• Announced: Used for a statement.
• Asked: Posing a question
• Answered: To address a question.
• Addressed: When a character draws attention to something or draws the attention of somebody.
• Affirmed: Used when a character is stating an opinion or fact.
• Apologized: When a character is saying sorry for something.
• Approved: When a character is giving their support to a fact or something somebody has said.
• Articulated: When a character expresses a thought/idea.
• Asserted: When a character affirms an opinion firmly.
• Advertised: Used when a character is drawing attention to something.

• Babbled: Used when a character is talking excitedly, often nonsensically.
• Backtracked: Used when a character is going back on something they have said.
• Badgered: Used when a character is nagging another.
• Bawled: Used when a character is crying out, usually wildly and very loudly.
• Bellowed: When a character is shouting.
• Began: When a character begins a sentence or thought.
• Bemoaned: When a character complains of something.
• Bit: Used when a character is being sharp with something that is irritating them or angering them.
• Blamed: Used when a character is assigning blame for something.
• Bleated: When a character is complaining or moaning, usually used in a derogatory way.
• Blurted: When a character says something without pause or thought.
• Boasted: When a character displays self-pride.
• Boomed: When a character speaks loudly.
• Broadcasted: Used when a character is announcing something, usually loudly.

• Called: When a character cries out for somebody.
• Chanted: When a character speaks in a monotone or often repeating words over and over.
• Chattered: When a character speaks rapidly, usually out of nerves or excitement.
• Chastised: When a character rebukes another character.
• Cheered: Used when a character is excited or pleased about something.
• Chimed: When a character adds something to something already said.
• Choked: Used when a character is having a difficult time getting the words out.
• Chuckled: When a character laughs slightly.
• Chortled: When a character laughs slightly and breathlessly.
• Coughed: When a character’s breath catches.
• Croaked: Used when a character’s voice is strained or dry.
• Crowed: When a character boasts loudly about something.
• Cried: When a character exclaims or weeps.
• Cursed: When a character use swear words or denounces another character.
• Cautioned: Used when a character warns somebody.
• Complimented: Used when a character is lavishing praise on somebody.
• Condemned: When a character denounces something.
• Considered: Used when a character is thinking aloud.
• Conferred: When a character discusses something with another, usually quiet.
• Commented: Used when a character is expressing a thought or opinion.
• Complained: Used when a character is annoyed over something.
• Criticized: When a character comments negatively on something.

• Declared: When a character announces something.
• Denoted: When a character is indicating something.
• Dictated: When a character is insisting on something, usually forcefully.
• Drawled: When a character is talking in a low, slow voice.
• Droned: When a character is talking on and on, usually derogatory.

• Elaborated: When a character goes into detail explaining something.
• Emitted: Used when a character makes a sound.
• Enunciated: Used when a character makes their words clear, often to add emphasis.
• Expressed: When a character conveys their thoughts and opinions on something.

• Fumed: Usually when a character is angry over something.
• Fretted: When a character is anxious, usually a reputation of intrusive thoughts.

• Gasped: When a character inhales suddenly, usually in shock or pain.
• Giggled: Used when a character laughing.
• Gloated: When a character is boasting over besting another character.
• Grinned: When a character is smiling widely when speaking.
• Groaned: When a character makes a low sound, usually in pain or discomfort.
• Growled: Used when conveying anger.
• Grumbled: Used when a character is complaining but in a quiet, low way.
• Gulped: When a character swallows.
• Gushed: Used when a character is talking excitedly about something they care about.

• Hissed: Used when a character is angry or irritated.
• Howled: Used when a character is making a loud, drawn-out sound noise out of pain and grief.

• Insisted: When a character speaks or lends their support persistently.
• Interjected: When a character adds something into somebody else’s discussion.
• Insulted: To speak negatively about another character.

• Jabbered: Used when a character isn’t making sense but talking rapidly.
• Joked: Used when a character is making a jest or fun of something.

• Lamented: When a character expresses a deep thought or grief over something.
• Laughed: Used when a character is laughing.

• Mewled: When a character’s voice is talking in a feeble voice.
• Mentioned: When a character interjects something but doesn’t explain it.
• Mocked: Used when a character is teasing, either in humour or spite.
• Moaned: Used when a character is complaining, in pain or discomfort.
• Mumbled: When a character is speaking in a low, almost unintelligible voice.
• Muttered: When a character speaks quietly, usually in an effort to not be overheard.
• Murmured: When a character talks quietly, usually not to be overheard or to not gain attention.

• Noted: When a character brings attention to something.
• Nattered: When a character goes on about something almost absent-mindedly, usually when nervous or preoccupied.

• Observed: When a character is offering their view on something.
• Ordered: When a character is giving instruction to another, usually forcefully.

• Panted: Used when a character is out of breath or panicked.
• Praised: When a character is showing positive attention to something or somebody.
• Prattled: When a character is talking about something without a line of thought or sometimes reason or attention.
• Persisted: When a character keeps at a thought or opinion.

• Quavered: When a character’s voice warbles usually out of fear or anxiety or sadness.
• Quipped: When a character makes a witty remark.

• Raged: Used when a character is angry.
• Ranted: When a character goes on about something, usually in a monologue expressing their emotion about the subject.
• Rambled: Used when a character is talking about something that doesn’t matter or warrant attention.
• Relayed: Used when a character is telling another character about something that happened previously.
• Remarked: Used when a character speaks about something.
• Replied: When a character answers back.
• Reprimanded: Used when a character is rebuking another for an action or word.
• Responded: When a character replies to something said.
• Recited: When a character repeats something from memory.
• Repeated: When a character says something again, usually right after they have said it.
• Retorted: When a character replies tartly or sharply.

• Sang: Used when a character is happy or light about something.
• Scolded: When somebody is reprimanding a character.
• Screamed: Used when a character is scared or angry.
• Squalled: When a character is crying out loudly.
• Smiled: When somebody speaks when they are smiling, usually positively but can be negative.
• Smirked: Used when a character is being smug.
• Sneered: When a character is speaking in a derogatory way.
• Snarled: Used when a character is being aggressive or angry.
• Snivelled: When a character is speaking through a runny nose or tears. It is usually used to denote a character as weak or vulnerable.
• Sniffled: When a character is speaking with a runny nose and tears.
• Shouted: When a character is saying something loudly or with extreme emotional.
• Shrieked: When a character makes a sharp sound, usually from extreme emotion.
• Stammered: When a character’s voice becomes halted with pauses, usually an indicator of a speech impediment or nerves or anxiety or fear.
• Stated: When a character makes a statement.
• Stuttered: When a character speaks with difficulty, often repeating the beginning of words, usually out of fear, anxiety or nerves. But it can also be attributed to a speech impediment.
• Swore: When a character curses or uses vulgar words to express their anger.
• Scoffed: Used when a character is being derisive about something.
• Sighed: When a character exhales out of annoyance, anger, tiredness or boredom.
• Screeched: When a character’s voice becomes high-pitched and erratic.
• Spat: When a character speaks so forcefully that they almost spit saliva in their effort to get their often emotion driven words out.
• Sputtered: Used when a character is unable to get the words out, usually out of disbelief.
• Sobbed: When a character is crying so hard that their voice is garbled by their tears and gasps for breath.
• Suggested: When a character proposes an idea.

• Thundered: When a character is talking about something in an angry way, usually loudly.
• Told: When your character is relaying something to another.
• Tittered: Used when a character is half-laughing, half-trying to stifle it.
• Thanked: When a character expresses thanks.
• Trumpeted: Used when a character is excitedly announcing something.

• Uttered: When a character speaks.
• Urged: Used when a character is prompting another to take an action.

• Voiced: When a character expresses their opinion verbally.
• Vociferated: When a character argues vehemently.

• Wailed: When a character makes a sound of grief, pain or discomfort.
• Warbled: used when a character’s voice quavers.
• Wept: When a character cries when speaking.
• Whispered: Used when a character speaks quietly, so not to be overheard.
• Whimpered: Used when a character’s voice is feeble and weak, usually in pain or fear
• Wheezed: When a character’s voice is strained from lack of breath, such as after a coughing fit.
• Whined: When a character complains usually in an irritating way.

• Yammered: When a character is talking about something with no line of thought.
• Yelped: When a character cries out in shock, pain or discomfort.
• Yawned: Used when a character is tired or bored.
• Yelled: When a character speaks loudly out of anger or panic.
• Yowled: When a character cries out, usually high-pitchedly.

• Absent-mindedly: When a voice betrays one’s distraction
• Booming: When a voice is loud and carrying.
• Breathy: When a voice is peppered with breathes.
• Brittle: When a voice betrays a strained mind or fragile sense of mind.
• Clear: When a voice is devoid of anything to obstruct or conceal it.
• Deep: When a voice is low pitched.
• Flat: When a voice is devoid of pitch or emotion.
• Gravelly: When a voice is rough, croaking like when one just wakes up.
• Guttural: When a voice is rough, coming from the back of the throat.
• Harsh: When a voice is unkind and hard.
• Husky: When a voice is rough.
• Monotonous: When a voice is unvaried in pitch, all in one tone of voice.
• Muffled: When a voice is obstructed, such as when the mouth is covered.
• Nasally: When a voice sounds like it is coming from the nose, often sharp.
• Piping: When a voice is high-pitched, almost sing-song.
• Raspy: When a voice is dry and rough sounding.
• Rich: When a voice is pleasant sounding to the ear.
• Shrill: When a voice is high-pitched.
• Silvery: When a voice is clear, soft, and musical.
• Soft: When a voice is quiet.
• Sonorous: When a voice is deep in sound.
• Thin: When a voice is strained, with uneven pitch and tone.
• Throaty: When a voice comes from the throat, often rough and croaky.
• Tremulous: When a voice is shaking.
• Velvety: When a voice is smooth.
• Warm: When a voice is comforting, gentle.
• Weak: When a voice lacks any strength.
• Whispery: When a voice is low, hushed.
• Wobbly: When a voice is unsteady.