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Y nada, nada podrá pararnos

@mariagvogel / mariagvogel.tumblr.com

María (she/her). Aroace Slytherin. INFP. Feminist. Night owl and chronic procrastinator. Welcome to my random multifandom ramblings.
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young-master-is-lost

If I might,,

This is exactly what I wear everyday

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xiewasnotttaken

thanks for the tag @tolkienlockian

Tagging @pinkpondofasgard @pocketofweird @wimblrscoot @clickbait-official​ and anyone who wants to join!

Thank you for tagging me @xiewasnotttaken !! 😊💛

The tiny kitty’s so cute!!! 🥺🐱

Tagging @classicdaisycalico @i-really-like-plants @lokijiro and anyone else who wants to join! 😊

@anyone who wants to give it a go

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callithemuse

tagging @moonscarsandstars @wolfstarforeverandever and @ anyone who wants to!

thanks for the tag:)

this is so beautiful im-

tagging @sirrriusblack@kingfoxjellyfish@wolfstsrshipper​ and anyone else who wants to:)

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e-of-west-glendia

Me if my hair was straightened looking like a GRyffinDor™️ and the literal embodiment of James Potter.

Awww, super cute!

feel free to do this if you see it!

my favorite scene in LotR as a kid was when Sam started miserably freestyling in the tower of Cirith Ungol and the only reason he ever found Frodo was because he deliriously tried to join in

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lady-lizbian

…i did read some of the novels, but i couldn’t get through them entirely…

…and so i genuinely have no idea whether or not this is serious. coz i mean, obviously, it could be a joke. but it could also have legitimately happened. people who have only seen the films underestimate the amount of random things that happen in the books that could come off as utterly silly and ridiculous if removed from their context.

Haha, well, it is pretty much what happens. Sam is looking for Frodo in the tower of Cirith Ungol and is despairing that he will ever find him. He sits down and does what any self-respecting Tolkien character does during their moments of hopelessness and bursts into song.

It’s a really good song (ten year old Ship had it memorized) and as he begins the refrain a second time, he hears Frodo’s voice answering weakly from above. Frodo is poisoned and despairing and beaten but he is still a Hobbit and cannot resist a singalong even while on the brink of death.

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ghostingrose

me, rewatching my favourite media for the hundredth time: it’s about the comfort. it’s about the nostalgia. it’s about lacking the necessary emotional bandwidth to take in and process new things in this year of our lord 2021

Most corporate social media accounts use memes to try and appear hip with the kids so they’ll buy their product but the Sparknotes twitter account is clearly just run by a literature geek who was told they could make memes about old books and is having the time of their life doing just that

anyone else get the constant fear that there are unspoken social rules you dont know about (especially in new situations, like when i first started taking the bus, i was afraid i was doing it wrong lol) so youre just always on edge and kind of… watching how other people act so you can copy the “correct” thing to do

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delladilly-deactivated20161011

i’ve been reading for most of the day now about howard ashman, the lyricist for the little mermaid & beauty and the beast. he was one of the biggest creative forces behind both films, helping to shape their characters, narrative arcs, and themes as well as their music; he was also a gay man who was diagnosed with aids during the production of the little mermaid and died shortly after beauty and the beast was finished. alan menken, the composer who collaborated with him on both movies, said that beauty and the beast is heavily influenced by ashman’s experiences and perspective.

and i can’t stop thinking about it. i’ve always considered beauty and the beast to be one of the darkest films in the disney canon, as well as its most beautiful. it’s entirely about monsters, about the ways that people are determined to be wrong and dangerous: there’s the beast alone in his castle in the forest, and belle mocked and sneered at by her village, and even maurice carted off to an asylum. 

and that it was written and conceived of in part by a gay man who, according to his sister, trained himself out of “effeminate” physical mannerisms when he was young because he was bullied for them, and who as he wrote it was dying of an incredibly stigmatized illness— like, god. 

i mean when you just listen to those songs he wrote, the mob song (“the beast is] set to sacrifice our children to his monstrous appetite / he’ll wreak havoc on our village if we let him wander free”), belle (“it’s a pity and a sin / she doesn’t quite fit in”)— and there was a cut song, human again, where the castle servants looked forward to rejoining the world.

like it’s obviously queer, but more than that, it’s the self-identification and self-validation of a man who knew this was this work was probably his last. at the end of the film, the beast is so sad, has succumbed entirely to despair and death. his society is coming to destroy him, and he can’t even be angry, because he doesn’t have anything left. but then he does. and he is still precious, and his life is still meaningful. he’s a person, and he can be loved. he can find happiness.

in the original beauty and the beast, the beast proposes marriage to belle every night and it’s her acquiescence that breaks the spell. in the disney movie, the beast only waits for belle to love him, because he cannot love himself. it’s such an unexpected blessing for both belle and the beast that they can find acceptance in each other, after both are so othered and dehumanized by their communities. their vulnerable joy in each other and themselves is so important, and their love song so wonderingly sweet. at the end, it is only when someone loves and accepts you that you stop being a monster. 

john musker, one of the directors of beauty and the beast, told this story about how ashman cried at disneyland when the little mermaid’s music was integrated into a parade and said that he was glad to know that his music would outlive him. beauty and the beast was my favorite movie when i was young and trying not to be queer, when i felt very wrong and very alone. it has been unbelievably important in my life. and so i am also glad— and so grateful— that howard ashman’s music outlived him, and that he lived at all. 

You know what? Yes, aspec people are welcome in the LGBT community and that bears repeating, but it's more than that. Aspec people are a valuable and necessary part of the community. Aspec perspectives and experiences are an essential, important part of our community.

Aspec people belong in the LGBT community. Not as an allowance or an afterthought, but inherently. Not the way a kid who doesn't fit in gets invited to a party, like "oh, you heard that? I guess you can come too". Not in a way that is polite on the surface but still othering. They don't need an invitation, because they're just as intrinsic to the community as every other LGBT identity.

Aspec people have always belonged, and they always will. It's as simple as that.

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tonysopranobignaturals-deactiva

God this is such a mood (I've never been to an Ivy League college like this guy but I've been exposed to the same logic taking econ in community college lol)

transcript:

here's why i left economics. so, when i was a freshman at brown university, i took an econ class called "income, wealth and health inequality in the united states." this class was taught by president of brown university, christina paxson, and we spent the entire semester learning how to study inequality. and then, at the end of the course, paxson invited us all back to her 2 million dollar mansion, pictured here, for a nice catered dinner, with literal servants. and this experience, this irony, taught me that economists fundamentally view inequality the wrong way. they think about is as a natural fixture of our environment, something that we aren't implicated in, something that we can study for a semester and then go back to our mansions and enjoy dinner. something that is just there to study as scientists. and that is not true. inequality is a product of specific actions, behaviours, structures, and systems, just like this house, and the way that econ focuses distracts from the question of what the fuck we're supposed to do.

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Reblogged

ok, here we go: pynch + did you actually just apologize or was that just my imagination

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(established relationship, post-trk, pre-epilogue)

Adam was holding his now-ruined sweater so that the afternoon light coming through the window shot directly into the fabric. The stain was definitely still there, gently cupping the raven in the Aglionby crest.

Adam sighed and let himself fall onto his bed.

He couldn’t wear it to school anymore. He couldn’t resell it once he graduated as he had originally planned. He only had a spare and that one already had a small tear on the right sleeve from that time Adam had carelessly thrown it to the floor and it had caught on a stray splinter.

He didn’t think he could afford to buy another one this month.

Maybe if he cut a bit on the toothpaste. He couldn’t cut on his gas money because the time he saved driving to work was time he could employ studying. He was also running low on spare paper for his essay writing—he’d just have to get it right on his first draft. Or he could draft them mentally—preferably while driving to work. It would also save him some time. Or he could just forego breakfast completely—he’d get to sleep for fifteen more minutes everyday, plus he wouldn’t have to buy any milk.

There was a knock on his door.

It was Ronan, probably. Adam wasn’t sure he was in the right headspace for dealing with Ronan.

He opened the door.

Ronan pushed a carton of eggs into Adam’s hands.

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAHhhhh, I LOVE IT. THANK YOU SO MUCH.

I absolutely adore how they interact here, how stressed and snappy Adam is, and how much Ronan cares. /He asks Blue for advice to remove stains!/ And he brought eggs! And that ending???? How perfect are they???? aslgjsñagh. Seriously, I can’t tell you how much I needed this. Brilliant as always, dear. <3

So apparently, over the summer, Quibi (the shortest-lasting streaming service ever lmao) did a quarantine project called “Home Movie: The Princess Bride” where a bunch of celebrities recreated The Princess Bride in tiny chunks at home.

And like there was no permanent cast, all these celebrities seem to have gotten a scene or part of a scene to do (i’m not sure exactly, I did not ever watch Quibi and thus haven’t seen this yet), and then they just… recreated it as best they could. At home. Under quarantine.

So like, you had Jennifer Garner in a blanket cape playing Princess Buttercup AND the Booing Old Woman with a crowd comprised entirely of stuffed animals:

Or Taika Waititi paying Westley off a badly-drawn Inigo on a piece of cardboard held in front of someone’s face:

And it’s all just delightful.

But my absolute favorite part of this thing that I’ve sadly never seen but assume is probably absolutely hilarious and a treasure and I want to find it some day and watch the whole thing… is that Carey Elwes is in it.

As Prince Fucking Humperdink.

I’m watching with IMDB open so I can figure out Where I Know That Actor From (the answer is “The Office” with surprising frequency so far)

tiffany haddish, retta, pedro pascal, diego luna and JACK BLACK!!!

WHY DIDN'T I KNOW THIS WAS A THING

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