Iris Scott, After the Snow Fell, Oil on canvas
knight errant, the last bearer of the banner of a fallen realm, who insistently refers to nobles as shit like "their Lady" or "somebody's Lordship"
no disrespect, your highness, but you are not and have never been "my lady." she drowned in battle. anyway I'm really bored, do you need something slain?
Absolute Flash theory/question?
seeing this
Wally being hunted by older men, literally preyed upon by authority figures. Juxtaposed with this
What are the odds of this?
I just got creepy vibes and I'm curious if anybody else thought Barry was maybe sinister?
Thoughts?
The Swimmer 1968, dir. Frank Perry
Laura Wilder (American b.1959), Winter Woods IV, 2022, Woodblock print on paper
love the way we finish each others' sentences. it's like we're soulmates or the beastie boys
An amateur orchid grower works in the window of his greenhouse in Silver Spring, Maryland, April 1971.Photograph by Gordon Gahan, National Geographic
Microdosing on court intrigue by being really cagey about what I do in my spare time for no good reason
The Black Tower (John Smith, 1987)
Blade Runner (1982) dir. Ridley Scott
rain is so pleasant to smell, hear, and see, but feeling it, being wet, is miserable. a symphony of the senses and yet a haptical nightmare. another grim win for dialectics
In The Making Of David Lean’s Lawrence Of Arabia, Adrian Turner describes Lawrence as a man who ‘would never come to terms with his homosexuality, and sought ways to suppress it’. Turner adds that, when the film version was in production, screenwriter Michael Wilson was not paying much attention to Lawrence’s sexuality. Wilson was more concerned with the theme of colonialism vs nationalism, and Lawrence’s scholastic pursuits.
This clearly displeased Lean, who wanted to paint more of a controversial character study, albeit on a large canvas, than Wilson had so far achieved. As far as one can judge from Wilson’s notes, Lean had two overriding concerns - Lawrence’s sexual make-up, and the scene that he would film in Petra. As far as the former is concerned, Wilson noted that Lean had, revealingly, compared the Lawrence-Ali relationship to Brief Encounter.
Years later, after the restored version of the film was released, Lean said that he had addressed Lawrence’s sexuality (the credited screenwriter was Robert Bolt, not Wilson): 'The whole story, and certainly Lawrence, was very, if not entirely, gay. We thought we were being very daring at the time, Lawrence and Omar, Lawrence and the Arab boys.'
- Stephen Bourne, Brief Encounters
Sven Jonson (Swedish, 1902-1981), Orion. Canvas, 90 x 55 cm.
⬆️ my sword of damocles is up here