A perfect use of the “I won the Oscar, give me money to make whatever I want,” chip.
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To Live and Die in L.A. 1985
Friedkin, Muller, Peterson, Dafoe, and Wang Chung. This movie is like if you refined all of the violence, sex, and chaotic performances of the 80s and snorted it off your screen.
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The Monkey 2025
Super fun and mostly succeeds in the tough task of adapted a short story to a feature. We’re there a lot of narrative and pacing flaws? Absolutely. Life’s too short to worry about that.
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Elvis 2022
Baz Luhrmann’s Elvis is a maximalist dream. A loosely focused biopic of one of America’s greatest musical creations that jumps and shimmies through the early infatuation of the young Presley with the black gospel music of his downtrodden youth, to the stardom of his twenties and thirties, and through the later day decline into drugs and despondency. Flashes of color, lightning cuts, and the camera spins and needle drops are at times overwhelming, but it’s an overall enjoyable experience that…
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