Comic-book person. Occasional writer.
Most of my reviews were first posted on my blog.
The second love letter to Iranian film I watched this year, after Universal Language.
First time watching on a big screen, in its gorgeous restored version, as part of the Wim Wenders King of the Road tour. I’m a teensy bit less enamoured by the writing than I was as a teenager, but I’m more aware of what it’s doing filmically.
Could easily be called “Digital Minimalism: The Movie”. A quiet, heart-swellingly feel-good movie that nonetheless doesn’t feel like it’s talking down to you. Made with a profound love for Tokyo. Also, those are some very cool toilets. Glad they invited Wenders to come look at them.
I have an idea in my head of the perfect Robert Eggers film, and unfortunately, he hasn’t made that one yet. In the meantime, he remains to me one of the most fascinating directors in English-language cinema, specifically for his treatment of historical people. Unlike most mainstream film, which consistently looks at the past with an end-of-history liberal lens, Eggers likes the idea that we had something in common with people from the past while also being alien from them.…