they should make a picture that moves.
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Stagecoach 1939
John Ford created a monster (John Wayne) with this picture but, after watching it and several other Ford films, I get it.
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Bandh Darwaza 1990
This review may contain spoilers. I can handle the truth.
This film drags its runtime but it’s so much fun.
It’s got grindhouse-esque editing, overdeveloped colors that clearly let you see the base of its film stock, and a ton of practical effects. It’s kind of like Batman & Robin in the sense that there are several different films within the same one. But where that’s a weakness for Schumacher, it’s arguably a strength here.
I really appreciate that they aren’t afraid to use their practical effects and show the monster regularly,…
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Nosferatu 2024
This review may contain spoilers. I can handle the truth.
Not to draw a comparison between the two directors, because it wouldn't stick otherwise, but one of the most entertaining things Orson Welles ever said about his work was that none of it was 'personal'. Similarly, Eggers seems to carry a similar aversion about outright identifying his work as political, preferring to instead focus on the intense details and accuracy at recreating period-specific ambiance. I am, by no means, one of Eggers' defenders. After watching Nosferatu, however, I feel like…
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Tracer 2022
I wanted to like where it was trying to go but I found it difficult to stay engaged. It’s broad, hammy and seems to be trying for a substantial meaning among all that discordance. I don’t mind projects like that but I don’t think any of this is married particularly well within the film. There are visual sequences within that I’m not bored with but ultimately it felt dull to look at, dull to listen to. That’s not something I…
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