Genuinely hypnotic and funny in just how disjointed this film is. 

The camera movements are precise and showcase a dazzling level of geometric intention that plays out as stage-like and theatrical, yet it consistently also breaks the 360 degree rule constantly and demonstrates a level of jump cuts and micro cutting that would not be out of place in À bout de souffle. The camera’s movement precisely follows each character’s movement or anticipated turn to speak out, but - crucially…

Watched as part of the sneak peek at North Bend Theatre. 

It is a surreal thing to see a film whose development you have been indirectly a part of for some eight years - but since its gestation on Kickstarter in 2017, I Know Catherine, The Log Lady has quite a burden of expectations to carry. 

It is not a perfect film, and I do have qualms over some of its content and editing style. But in terms of what it…