Tsai cuts through time and place with the sharpest knife.
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Megalopolis 2024
My thoughts written at present would be a wild incoherence, such is the film’s vehemence, but for the moment I resonate with the following from Richard Brody’s review:
‘Cinematically, “Megalopolis” is a skyscraper of cards. It’s not a chain of dominoes set up to fall with gaudy precision but a mighty contrivance magnificently envisioned yet insubstantially joined, as fragile as it is wondrous. It wouldn’t withstand a push; it would just collapse in a disastrous, unrecognizable heap. So don’t push,…
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