Glen Helfand

Glen Helfand

Favorite films

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  • Loose Corner

    ★★★½

  • The Trial

    ★★★½

  • Shockproof

    ★★★

  • Buddies

    ★★★★½

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  • Loose Corner

    Loose Corner

    ★★★½

    Cornered, but not. There are tricks of scale and sparkle, in 80s art fashion.

  • The Trial

    The Trial

    ★★★½

    In the twilight zone, the grays are crisp. Men in charcoal suits, filmed in cavernous European spaces. All those extras at typewriters! Somewhere where production values are superior and the costs affordable, a place to nurse a black list, continue. Guilt is a driver, and a means to get Jeanne Moreau and Romy Schneider on your team. The ceilings are low, and the camera looks up from the ground, a toppled Ozu. Anthony Perkins seems so American in these surroundings,…

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  • A Move

    A Move

    ★★★★

    Significant bravery, badassness, can be deceptive. This diary-like film of a woman deigning to wear a hijab to a family gathering has a gentle naturalism that makes you forget that women are killed for what Elahe Esmaili, the director and subject, does here. She has such an easy charisma, an infectious smile, and hardy head of hair. Her mother is perturbed, her sisters nervous, but men seem to be calmer in demeanor. There is menace lurking around the edges, but this makes its point with heart.

  • The Last Repair Shop

    The Last Repair Shop

    ★★★★½

    It's a poetic, humanistic microcosm. The last repair shop has a function-- to fix damaged, worn musical instruments in the LA Unified school district-- but it is full of life, and stories. There are four sections to the orchestra, and there is an expert profiled for each. The work on woodwinds, brass, piano, etc, but they are people with powerful backgrounds that led to their profession. And then there are the kids, who more briefly reveal how music serves as…