I probably shouldn't be a film student.
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The Shawshank Redemption 1994
There are lots of things I like about this movie. Most of all, I like how it proves that naturalistic cinematography can still be exciting. Every shot is painterly and stunning and never needs dramatic movement to prove its point. The story is obviously beautiful, the idea of letting go and maintaining pieces of yourself while an entire system tries to break you down. Too much to dissect.
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In the Mood for Love 2000
In the Mood for Love was a fascinating watch for me, first, because I rarely watch foreign movies and so I loved observing the variation in syntax, pacing, and performance of a different language and culture. The cinematography, likewise, stood out to me in a tremendous way. The way the DP's (of which I believe there were more than one) created depth as seen in the rain scenes and the office scenes by using foreground elements as well as layered…
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