⭐️’s represent the level of quality I think the film is.
❤️ if I personally liked the film.
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Julien Donkey-Boy 1999
Genuinely unsettling and bizarre, this is Harmony Korine at his most raw and brilliant. Visually ugly yet strangely beautiful, the film moves to the beat of its own drum, delivering one unforgettable, often chaotic scene after another.
Many moments are disturbing, disgusting, or darkly hilarious, but every second feels tactile and alive. It’s a film with grit, and while it may not have a clear message, its visuals, unpredictability, and uncanny tone make it endlessly compelling. A personal favorite from Korine.
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Don't Be a Menace to South Central While Drinking Your Juice in the Hood 1996
Certified hood classic. Low brow and inconsistent, but nonstop fun. Some jokes and gags in this are nothing short of genius.
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The Brutalist 2024
I’ll get this out of the way immediately: the use of AI in this film is completely unnecessary. I don’t wanna go too into the ethics of AI in cinema, but as more films begin utilizing it, it’s clear we’re only going deeper from here. Early adopters of this technology open themselves up to conversations about its role, and while some may see its use here as harmless, merely a tool to fix small problems, it raises a larger question:…
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Paper Moon 1973
Paper Moon is effortlessly charming, made all the more special by the natural chemistry of its father-daughter leads, Ryan and Tatum O’Neal. Their dynamic is magnetic, bringing warmth and wit to a film that just wouldn’t be the same without them. Tatum, in particular, delivers a remarkable performance, capturing both the toughness and vulnerability of Addie with a nuance beyond her years.
Visually, the film is stunning, perfectly evoking the 1930s not just through set design and costuming but in…
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