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Kes 1969
必定會聯想到楚浮的《四百擊》，但是個更純淨、更透明的版本。最後一場埋葬的戲短得令人錯愕，失落感卻在觀後如漣漪般不斷擴散、放大。
英國新浪潮末期代表作，沒有英式憤怒青年的激烈動感，散發捷克新浪潮那般，用平靜表象寫社會沈痛之實的獨特風味。
Inevitably brings to mind Truffaut’s The 400 Blows. But a purer and more transparent version. The final burial scene is shockingly brief, yet the sense of loss magnifies and ripples long after.
A representative work from the late British New Wave, it lacks the intense dynamism of the “angry young men” archetype and exudes a unique flavor akin to the Czechoslovak New Wave, portraying profound social anguish beneath a calm surface.
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