When a film punches me in the gut I say, "Thank you, sir. May I have another?"
Mostly a horror geek but I get around.
Honestly if this hadn't been tied to The Exorcist, I could easily imagine this being one of the better New Age-y genre movies of the late 70s/early 80s with a modest cult following. Aside from the awkward returns to scenes in the original, it's a pleasantly weird movie that is whole-heartedly devoted to its ideas. They're reasonably interesting ideas too (at least for its runtime)!
This review may contain spoilers. I can handle the truth.
This is a decent movie with some reasonably interesting ideas...if you’re not at all invested in the core concepts of the original Hellraiser continuity and its source material. It’s one thing to try a fresh take on a classic horror franchise but another to have it lean pretty hard on its antecedents (direct quotes, references, recycled concepts, “homage”) while abandoning or otherwise watering down the parts that made Hellraiser iconic in the first place.
1) The Cenobites. Leviathan must have…
Alright kids, whip out your notepads and get ready to keep track of...everything. Then put them away and go watch Cassavete's A Woman Under the Influence first (and a performance of Oklahoma! for extra credit).
I had read the novel this was based on several months earlier and really enjoyed it. It's a fairly short novel so the length of the film was a little surprising. Unsurprisingly, it ended up feeling kind of bloated.
While the core of the story…
This ended up being a little more grounded than I would have liked! Regardless, existential dread as a sort of memetic infohazard is definitely my kind of thing.
Apart from being a reasonably effective mood piece, She Dies Tomorrow largely explores how a small circle of people respond to the thought, "What if I died tomorrow?" Most of these perspectives aren't really covered in satisfactory depth but at least cover a somewhat diverse range of reactions.
I wish the central…