15th Century Italian Art
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Recent papers in 15th Century Italian Art
Sante Guido, La “riscoperta” di un’opera di Nicola da Guardiagrele: il busto reliquiario di san Massimo d’Aveia Diacono Martire, in "OADI - Osservatorio per le Arti Decorative in Italia", http://www.unipa.it/oadi/oadiriv/?page_id=2995
The numerous plagues that overflown Bologna in the second half of the 15th century were the reason for the spread of saint Sebastian’s iconography in the city, which reached its climax in the last twenty years of the century. The possible... more
Un mio contributo sulle fanterie italiane nel XV secolo uscito sul volume "Anghiari 29 giugno 1440. La battaglia, l'iconografia, le compagnie di ventura, l'araldica" autore Massimo Predonzani, edizione Il Cerchio Anno di prima... more
The first part of this article presents technical information clarifying the original function of the scenes known as the Stories of Esther by Jacopo del Sellaio (Florence, ca. 1441/1442 – Florence, 1493). The five fragments, now divided... more
L'autrice presenta aggiornamenti sulla figura di Piermatteo D'Amelia, pittore umbro poco noto, e sulla Pala dei Francescani, da lui eseguita per la chiesa di S. Francesco a Terni, dedicata al Poverello di Assisi che ebbe modo di visitare... more
WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI A CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS by Rosa Lena Reed Robinson Submitted in partial fulfillment of the... more
A transcription of Alexander Agricola's (1457/58 - 1506) "Tandernaken." For a recording with a score video see the link below:
https://www.youtube.com/watch?v=nac6QU2rhGQ
https://www.youtube.com/watch?v=nac6QU2rhGQ
This paper, which was first presented at the Colóquio de História da Arte e da Cultura do Renascimento, Museo de Arte de São Paulo Masp (16-17 May 2016), illustrates the social and art-historical context of the production of embroideries... more
"Il concetto d'imitazione nella lettera di Pietro Summonte (1524). La pittura fiamminga e la costruzione di un’identità culturale napoletana aragonese", in La Corona d'Aragona e l'Italia. Atti del XX Congresso della Corona d'Aragona... more
"Gli affreschi dell’oratorio della Ss. Annunziata di Riofreddo (circa 1422) sono oggetto del presente studio ove è tratteggiato il contesto politico e artistico durante il quale sono stati realizzati; sono esaminate le singole... more
NB: the link at the end of page 2 should read ...."le-di-co.nl" instead of ... "ledico.nl" ... In this paper an entirely new approach is proposed to unravel the perspectival construction in Piero della Francesca's Flagellation of... more
Il corso intende introdurre gli studenti ai fondamenti dell’Iconologia, attraverso lo studio di alcuni temi-cardine come la sopravvivenza dell’Antico attraverso la cultura astrologica, mitografica e letteraria, la migrazione delle... more
Nazzareno Gabrielli, Sante Guido, Giuseppe Mantella, Monument of Sixtus IV Description, tecnological analysis and restoration process, Bolletino d'Archivio Capitolo Vaticano, n.6-7, 2009. The long and precise restoration project, which... more
The Lamentation of Chomranice, now in the Diocesan Museum, Tarnów, though not well-known outside Poland, is one of the most interesting examples of Polish panel painting of the first half of the fifteenth century. Its creator was a... more
The Spanish version of the text (on pp. 155-177 of the catalogue) also includes the illustrations.
Elia della Marra was a 15th century terracotta "sculptor", or moulder, active in Mantua with a trnsitional style between late Gothic and Renaissance. Hos works are spread all over the Gonzaga domain
The importance of Early Netherlandish painting in the fifteenth century was so great that it was considered by humanists such as Bartolomeo Fazio and Pietro Summonte to be an 'ars nova' equal to antiquity. In the Mediterranean region... more
The lecture focuses on the painting The Feast of Herod, one of the frescoes created by Filippo Lippi (c. 1406-1469) and his workshop for the Pieve di Santo Stefano in Prato, and the particular treatment of textile in this painting. I will... more
The paper proposes a survey on the activity of a painter active in Abruzzo and Lazio in the early 15th century, the so-called 'Maestro della Cappella Caldora'. A panel painting is added to his oeuvre and a proposal is made - thanks to... more
In the Sanctuary of the Madonna di San Luca in Bologna there is a little-known painting of the 15th century depicting the Madonna and Child with St. Thomas Aquinas, St. Dominic, St. Luke, St. Matthias, St. Peter Martyr and St. Vincent... more
Transcription of Matteo da Perusio's canonic Gloria from Codex Modena A. For a score-video with recording see the link below.
https://www.youtube.com/watch?v=ycYi7NDG92k
https://www.youtube.com/watch?v=ycYi7NDG92k
Il Pavone in epoca medioevale tra simbologia e cultura materiale Articolo di Eugenio Larosa pubblicato su : http://www.famaleonis.com/pavoneculturamedievale.asp Il pavone assume in epoca medievale diversi significati, un simbolismo... more
Die vorliegende Arbeit untersucht mit den Florentiner Sgraffito-Dekorationen des 14. und 15. Jahrhunderts eine in der Forschung seit langem bekannte, aber wenig erforschte Form der Außengestaltung von Bauwerken. Mit Sgraffito wird eine... more
The article presents a new photograph of a lost painting, formerly in Berlin and destroyed in 1945, during the Second World War. The photo, found in the Photo Archive of the Getty Research Institute, allows us for the first time to see... more
Saggio breve posto in appendice al volume indicato (pp. 199-213).
40 tempera on wood, Renaissance Bean Ceiling Tables formerly Myron C. Taylor Coll., Locust Valley, New York, provenance from a Riario Della Rovere palace, here attributed to Jacopo Ripanda
The peculiar iconography of the winged horse surmounted by several puttos, as appears in the Hypnerotomachia Poliphili sixth woodcut, turns out to be unprecedented and enigmatic at a glance and it’s the result of the depth and complexity... more
Federico Zeri, Everett Fahy, and Filippo Todini studied extensively the “Master of the Greenville Tondo” proposing different lists. I tried to unify these opinions, adding a few new pieces, in a research that spotted some paintings in the... more
in 'Gli Antichi alla corte dei Malatesta: echi, modelli e fortuna della tradizione classica nella Romagna del Quattrocento (l'età di Sigismondo)', Atti del Convegno Internazionale, Rimini, 9-11 giugno 2016, ed. F. Muccioli e F. Cenerini,... more
Lo Stato dell'Arte 9", atti del convegno IGIIC, Cosenza, Palazzo Arnone 13-15 ottobre 2011,
Quattrocento processional panels from the Marches, with checklist.