Intralingual Translation

Literary translation is a love affair. Depending on the context, it could be love at first sight or hot pursuits of a lover’s elusive nodding approval. In other instances it could be unrequited love, and still others a test of devotion and faith. Or an eclectic combination of any of these events. Translation involves artistic creativity, not a workshop of equivalences.

To think of translation as a love affair does not eliminate the hierarchies that are part of the historical reality. In terms of its symbolic and cultural capital, literary translations always reflect the global order of the centre and the peripheral. Shakespeare remains the most canonical of canonical authors in a language that is now the global lingua franca.

Contradictory to the purists’ anxiety that the proliferation of Shakespeare in translation, whether in modern English or foreign languages, will spell the demise of Shakespeare’s oeuvre, the rise of a global industry of translation speaks to the power of Shakespeare’s words—not bound within the limit of one language and historical period but open to a wide spectrum of interpretive possibilities, a common feature shared by great works of art.

Since the 1990s literary production in Spanglish, the so-called “hybrid” language that mixes English and Spanish, has been increasing. With increasing publication has come a demand for translations of these texts. Some authors readily choose to translate their work. Others feel that having to translate for the benefit of the English speaker while requiring no effort on the part of the English speaker to adapt perpetuates the delegitimization of Spanglish as a mode of expression. This hesitation to accommodate English speakers fails to consider that approximately 2/3 of them are non-native speakers. Consequently, the role that English can play in South-to-South translation is not negligible and “having” to translate because of the existing English hegemony in the US Latinx context is not the same as choosing to translate for any of a number of other motivating factors. Both are equally legitimate options, but this begs the question, is there a way to translate Spanglish so that English readers can access it without “accommodating” the English hegemony? In this paper I will explore nontranslation and intralingual translation as tools to expand the readership of these texts while not fully assimilating them into the traditional English publication norms

Solmaz Sharif's debut poetry collection, Look (2016), has been hailed by critics for its formal experimentation and as a searing indictment of war. Using various words from the 2007 Department of Defense (DOD) Dictionary of Military and Associated Terms, Sharif highlights the sterility of the official vocabulary of the US military machine and the 'war on terrorism'. The poet juxtaposes the DOD's lexicon with reflections on personal relationships, family, love and loss along with traces of the multiple sites of home of an Istanbul-born, Iranian-American poet. In this essay, I argue that throughout the collection, the poet engages in a subversive, translative act; Sharif presents an intralin-gual mode of translation in which her poems destabilize the seeming neutrality and sanitizing effect of military vocabulary by consistently juxtaposing it with representations of the effects and consequences of violence, as well as images of intimacy, in order to articulate an anti-war stance.

This thesis describes the development of foreign language strategies (subtitling, dubbing, voice-over) in cinematography and describes same-language subtitling. This subtitling will be split in subtitles for the deaf and hard of hearing (SDH) and in same-language subtitling for foreign language learning. This thesis mainly deals with the impact of these subtitles for improving the own linguistic competence in a foreign language.

Flanders and the Netherlands have a long history of intralingual
translation. By looking at the different aspects of this intralingual
translation we can gain insight into the evolving power relations
between both regions. In the long nineteenth century [1800-1914]
and the decades after the Second World War the Netherlandic
Dutch norm was prevalent and the Flemings translated their texts
into Netherlandic Dutch. During the World Wars there were efforts
to change the direction of the intralingual translation in favour of
Flemish Dutch. From the 1990s onwards Dutch can be considered
a pluricentric language with more or less equal power balance.
Intralingual translation often goes both ways: from Flemish Dutch
into Netherlandic Dutch and vice versa.
The case of Dutch can teach us something about the remit of
intralingual translation. In my research I defined seven relevant
research angles: the orientation of the translation flows, the field
where translation takes place, the medium of the translated
language, the stakeholders involved in the translation process, the
textual elements that undergo translation, the reception of the
intralingual translation and finally, and most importantly, the
function of the intralingual translation between languages that do
not need translation to understand each other.

Öz
İlmî ve siyasi kimliğiyle on dokuzuncu yüzyıla damgasını vuran Ahmet Cevdet Paşa’nın kaleme aldığı Belagat-ı Osmaniyye; klasik belagat geleneğini devam ettiren, bunun yanında konuları çok sayıda Türkçe örnek eşliğinde ele alan önemli bir eserdir. Eser, yazıldığı devirde büyük yankı uyandırmış ve uzun süre devam edecek olan tartışmaların odağında yer almıştır. Başta belagat sahasında çalışanlar ile Türk Dili ve Edebiyatı bölümü öğrencileri ve akademisyenleri olmak üzere birçok kişi bu eserden hâlâ istifade etmektedir. Bu bakımdan gerek yazıldığı dönemde gerekse günümüzde belagat, edebiyat ve kültür tarihimiz açısından Belagat-ı Osmaniyye’nin büyük bir önemi haiz olduğu söylenmelidir. Bu yazıda “üniversite öğrencileri, akademisyenler, aydınlar ve araştırmacılar için anlaşılabilir temel kaynak” olma iddiasıyla hazırlanan ve Belagat-ı Osmaniyye’nin açıklamalı günümüz Türkçesine çevirisini içeren bir çalışmadaki yanlışlar ve özensizlikler tespit edilerek örneklendirilecektir. Çalışmadaki yanlışlar gösterilirken sadece eleştiri yapılmayıp bazı konuların açıklığa kavuşması, okuyucu için yazının daha faydalı olması ve bundan sonra yapılacak başka çalışmalarda benzer yanlışların tekrarlanmaması adına doğruya ve olması gerekene de işaret edilecektir. Doğru bir üslupla ve fayda amacı gözetilerek yapılan eleştiriler sonraki çalışmaların niteliğine olumlu katkılar sağlar. Yazımızın en temel amacı da budur.

Abstract
Belagat-ı Osmaniyye (The Rhetoric of Ottoman Language), written by Ahmed Cevdet Pasha, who left his mark on the nineteenth century with his scientific and political identity, is an important book that follows the classical rhetoric tradition and also explains the subjects with many Turkish examples. The book had great repercussions at the time it was written and was at the center of discussions taht would continue for a long time. Many people, especially those working in the field of rhetoric and students and academics of the Turkish Language and Literature department, still benefit from this book. In this respect, it should be said that Belagat-ı Osmaniyye has a great importance in terms of our rhetoric, literature and cultural history both at the time it was written and today. In this article, mistakes and carelessness will be identified and exemplified in a study, which was prepared with the claim of being “a basic source that can be understood for university students, academics, intellectuals and researchers” and includes the annotated translation of Belagat-ı Osmaniyye into contemporary Turkish. While the mistakes in the study are being exposed, not only criticism will be made, but also the truth and what should be done will be pointed out in order to clarify some issues, to make the article more useful for the readers and not to repeat similar mistakes in another studies. Criticisms made in a correct style and with the aim of benefit make positive contributions to the quality of subsequent studies. This is the main purpose of our article.

This research investigates the effects of intralingual (or same language) subtitling on characterisation, with a specific focus on the AMC drama, Breaking Bad. A corpus-stylistic approach was used, with a focus on several characters.

Corpora of the subtitle track to the third season were compared with similar corpora containing the transcribed speech of the same season, in order to generate data which could then be compared. Sub-corpora were also created for the eight individual characters chosen to research.

In order to investigate the stylistic side of the research, Jonathan Culpeper’s triggers of characterisation were utilised, and Paul Rayson’s Wmatrix corpus software was then used to identify statistically significant words and domains. This list was compared against the statistics produced by Wmatrix in order to understand their significance, if any.

The differences and similarities between the subtitle corpora and the spoken corpora for each individual character were investigated, as well as more general trends which were shown to occur throughout all of the data.

Bu bölümün üçüncü yazısını Sadık Yazar’ın “Osmanlı Telif Geleneğinde Diliçi Çevirinin Sınırları” başlıklı yazısı oluşturmaktadır. Bu çalışma telif türleri bakımından hayli zengin olan Osmanlı telif geleneğinde, diliçi çeviri ile ilişkilendirilebilecek metin türlerini birkaç temsilci örnek üzerinden tanıtarak Osmanlı edebiyat geleneğindeki diliçi çevirinin sınırlarını belirleme yolunda bir giriş yapmayı amaçlamaktadır. Yazar, büyük oranda yazma kültürüne dayanan Osmanlı telif geleneğinde üretilen bu türden metinleri tespit etmenin zorluğundan bahsettikten sonra Osmanlı telif geleneğinin kendine özgü kavramlarını göz ardı etmeden bu telif geleneğindeki kimi metin ve türlerin çeviribilimin görece yeni olan diliçi çeviri türünün kapsamında da incelenebileceğini ileri sürmektedir.
Bu girişten sonra Yazar, on seneyi aşkın bir süreye dayanan tarama ve araştırmaları neticesinde Osmanlı telif geleneğinde diliçi çeviri ile doğrudan ya da dolaylı olarak ilintilendirilebilecek zengin ve çeşitlilik arz eden bir malzeme ile karşılaştığını ifade ederken bunları çalışmasında yazılış amaçlarını ölçüt alarak tasnif etmeye çalışmaktadır. Derlediği malzemeyi öncelikle “Müstakil/Doğrudan Diliçi Faaliyetleri” ve “Dolaylı Diliçi Çeviri Faaliyetleri” olarak ikiye ayırmakta, her bir başlığı da farklı alt başlıklara ayırmaktadır. Bu anlamda “Müstakil/Doğrudan Diliçi Faaliyetleri” başlığı altında önce lehçeler arası diliçi çeviri etkinlikleri, sonrasında ise aynı lehçenin farklı dönemleri arasında gerçekleşen diliçi çeviri etkinliklerine odaklanan Yazar; nazma aktarma, nesre aktarma, dil ya da üslup amaçlı güncelleme, ıslâh, telhîs ve ihtisâr gibi türler üzerinde durmakta, bazı temsilci metinler üzerinden bunların diliçi çeviri ile olan ilişkisine değinmektedir. Dolaylı Diliçi Çeviri Etkinlikleri başlığı altında da kaynak metni Türkçe olan Türkçe şerhler, inşa (estetik nesir) geleneği ve istinsah sürecindeki dönüşümleri yine diliçi bağlamında okumaya çalışmaktadır.

Koridor Yayınlarınca hazırlanan elinizdeki bu çalışma, eserin bir diliçi çevirisi mahiyetindedir. Çalışmada, kitabın, zaten oldukça sade olan diline fazla müdahale edilmedi; sadece günümüz okuru için güncelliğini yitirmiş bazı kelimeler (ikrar, maslahat, sabahat etmek vb.) yerleşik Türkçe karşılıkları ile değiştirildi. Anlamı bir kelime ile karşılanamayan kelimeler ise (dildade gibi) olduğu gibi bırakılıp dipnotla açıklandı. Yine günümüz okuru tarafından anlaşılmayacağı düşünülen “kılavuz, yenge kadın” gibi evlilikle ilgili eski âdetleri anlatan kelimeler de dipnotlarla açıklandı.

The paper analyses a modern English translation of Geoffrey Chaucer's "The Canterbury Tales" to determine the major features of the Middle English text which justify diachronic translation and to define the lines along which the translator modernizes the text.

Впервые на русском языке исследуется «Заметка о Гегеле и Хайдеггере» Александра Кожева. Анализируется попытка Александра Кожева обосновать взаимную переводимость философии Гегеля и философии Хайдеггера. Изучены аргументы Кожева о единстве философии Гегеля-Хайдеггера, о проблемах гегелевских и хайдеггеровских текстов и их дополнительности. Аргументы о единой философии Гегеля-Хайдеггера сопоставлены с проблемой релятивизма мировоззрений и их происхождением из проблемного начала философии и возможности иного начала. Реконструируются принципы концептуального перевода, предпринятого Кожевом. Обосновывается антирелятивистская позиция универсальной рациональности в концептуальном переводе Кожева. Ключевые положения концептуального перевода Кожева сопоставляются с общими позициями гегельянства и критикой идеи «концептуальной схемы» Дональда Дэвидсона.

Rational foundations of conceptual translation. The case of Hegel-Heidegger phenomenology in the works of Alexandre Kojève. Article two

The article is the first study of Alexandre Kojeve's “Notes on Hegel and Heidegger” in Russian. The article presents an analysis of Alexandre Kojève's attempting to prove the mutual translatability of Hegel and Heidegger philosophy. The arguments of Kojeve on the unity of the Hegel-Heidegger philosophy, on the issues of Hegelian and Heidegger texts, and on their complementarity are studied. The arguments on the common philosophy of Hegel-Heidegger are compared with an issue of relativism of worldviews and with origin of worldviews from the problematic beginning of philosophy and the possibility of another beginning. The author reconstructs principles of the Kojève's approach to the conceptual translation and substantiates the anti-relativistic position of universal rationality in the conceptual translation. Key theses of Kojève's conceptual translation are compared with the general positions of Hegelianism and with criticism of Donald Davidson's idea of a “conceptual scheme”.

Часть 1: http://bit.ly/2TOPlw1

This paper focuses on the practice of intralingual translations in Turkey, which are generally regarded as original writings and thus have remained outside the realm of Translation Studies. In an attempt to offer a different conceptualization of translation that would contribute to the reconsideration of the nature and definition of translation, this paper looks at the specific use of intralingual translation seen as modernization of the language in twentieth-century Turkey. Using Halid Ziya Uşaklıgil's Mai ve Siyah (Blue and Black) as a case in point, this paper will argue that, concealed under the rubric of different terminology, intralingual translations in Turkey accomplish more than an updating of the language and reveal linguistic, translational, and ideological norms of the periods in which these translations were produced. This study will furthermore claim that the presentation of intralingual translations also sheds light on the practice and perception of interlingual translations and on our relationship with the past. Thus this paper argues that enlarging the definition of translation by encompassing intralingual translations would expand the boundaries of research in Translation Studies in general, and in Translation History in particular.

The term "translation" is the process of transferring from one language to another language. In fact, translation is a procedure between languages. Therefore, the translation also means intercultural communication. In this study, we want to analyze the intralingual translation. The intralingual translation is not a translation from one language to another language. It is an interpretation of verbal signs by means of other signs of the same language (Jacobson, 1959:233). The intralingual translation of a word uses other signs to understand the context better. So the intralingual translation interprets the signs by using other signs of the same language. In fact, the intralingual translation is a way to simplify a text. This type of translation may seem a new field of translation, but actually we often use it in our daily live. In our daily live, we often use the intralingual translation. For example, while explaining something to our children we are forced to use intralingual translation. In this study we want to demonstrate the significance of the intralingual translate in the medical field and in advertising language. Especially we want to show with examples in which cases the intralingual translation is not used and the reason and cases in which intralingual translation must be used to be clarified the situation.

ABSTRACT
Poetry is a textual genre that evokes remarkable aesthetic experiences, projecting the subjectivity of the message and author's creativity, both in oral and in sign languages. However, the researches about translation methods of poetic texts in the Brazilian Sign Language to Brazilian Portuguese direction are still rare. Thus, this dissertation questions: how is possible to translate sign language poems to oral language poems, through the intralingual textual analysis and in accordance to an interdisciplinary approach emerged from the contact between Deaf tools and Deaf references, both theoretical and literary? In this way, is aimed to ratify the unrestricted translatability of Brazilian Sign Language Poems, presenting the Brazilian Deaf as a prolific subject author, through the analysis, translations, comments and annotations of poems in Brazilian Sign Language translated to Brazilian Portuguese, as also, present the Functionalist Intralingual Textual Analysis as an interdisciplinary descriptive normative methodological tool conformable to the application of the Glossigning tool (Glossinais) so that is favorable to develop translation procedures to oral languages of sign language poetic texts. To achieve that, the theoretical foundations are presented: Sign Language Poetry as a Textual Genre pertinent to Sign Language/Deaf Literature, Functionalism as a Translation Studies Theory, as well as, Glossigning (Glossinais) as a Deaf oriented translation aid to support textual translation tasks. Methodologically, it was explained and justified how the poetic texts were chosen to be analyzed, it was presented more information about the theoretical instruments used to analyze the data, so that be clear how these analyses were conducted and yet, were collected authorizations on the part of the Deaf Poets authors of the Brazilian Sign Language Poems analyzed to use their image and their personal poetic texts in the research. As results, the translated poems intralingual textual analyses were exposed, considering any procedural changes resulting from the contact with the Functionalist Textual Analysis Approach. Unfolded from these, the poems researched have their respective translations presented: the ones before and after the application of the Functionalist Interdisciplinary Intralingual Textual Analysis tool. Next, it was discussed about the results, reviewing them in accordance to the theoretical references presented initially, to justify the use of the proposed method, relating all the research to the proposed objectives. Finally, it is concluded that it does not matter how complex are the research objects regarding texts involved in translation procedures, because, when the Functionalist Intralingual Textual Analysis Methodological Approach is experienced in practical terms, the assurance of the texts functionality is increased, as well as, the effect of the translated products to the public, even they are enounced in sign language or oral languages.

Keywords: Intralingual Textual Analysis. Functionalism. Sign Language Poetry. Translation Methods. Sign Languages. Brazilian Sign Language (Libras).

The goal of this presentation is to show part of the results of the author’s Master’s dissertation conducted at the Trinity Centre for Literary and Cultural Translation in 2020. This study builds on the work developed by Professor Michael Cronin in the books Translation Goes to the Movies (2009) and Across the Lines: Travel, Language, Translation (2000). This presentation aims at answering the following question: what are the visual and thematic choices in the representation of intralingual translation in Brazilian cinematic travel narratives? The primary materials are two Brazilian films: Central Station (Water Salles, 1998) and Cinema, Aspirins and Vultures (Marcelo Gomes, 2005). The multiple codes of film language are important devices in the representation of intralingual translations in film, as together with language itself, they create a different set of codes, in other words, a new expanded language. For this reason, the chosen method of analysis is an interpretation of Casetti & Di Chio’s (1998: 126) approach for analysing the filmic text, which are: isolation, identification and interpretation. It is concluded that the thematic choices in the representation of intralingual translation in Brazilian cinematic travel narratives revolve around: 1) the effects of intralingual translation in each of the travellers’ identities; 2) the roles of intralingual translation in the relationship forged between travellers and; 3) the roles of intralingual translation in the relationship forged between travellers and secondary characters. In order to showcase the three themes, the visual choices in both films mostly rely on editing and frame composition. Symmetry proved to be the most relevant visual aspect to both cinematic narratives. The findings of this study reinforce that translation studies, film studies, and the study of travel narratives can benefit from one another as fields of research.

This article analyzes the intralingual translation carried out on the Harry Potter book series for their publication in the US, as well as the repercussions of this translation. Even though the analysis here presented is limited to a translation within a single language, the conclusions obtained may also be applied to the field of the interlingual translation of literary texts. In this sense, this article seeks to show how either domestication alone or its combination with foreignization distorts the meaning and aesthetics of a literary work. Furthermore, this article discusses the consequences of domestication and foreignization for the relation between dominant and dominated cultures, as well as the ethical dilemma they pose.

The Universities of Tel Aviv and Bar-Ilan in Israel will host this International conference on intralingual translation. The event will take place on July 4-6 2021 and will bring together scholars interested in diverse aspects of the topic. The working languages of the conference will be English and French.
Submissions should be sent by email to intralingual.translation@gmail.com by January 31 2021.  Notification of acceptance will be sent by March 1st 2021. Submissions should include a title and an abstract of 300 words. It should also indicate the subject area, five keywords, the name of the presenter, email address, institutional affiliation, and short bio sketch.

The term yanyi (演義), the vernacular or pseudo-vernacular narrative elaboration of historical materials, is nowadays a term primarily associated with Chinese pre-modern narrative tradition. If considered in its diachronic configuration, however, the term reveals an important translational dimension.
In this paper I will address the role of intralingual translation in the configuration of yanyi texts. In particular I will consider what kind of linguistic and textual transformations were at stake in the transposition into vernacular (or pseudo-vernacular language) of textual materials originally written in literary language.
I will develop my analysis by first considering the terminology used by authors and commentators to describe the transformations they operated in yanyi texts.
In the second instance I will focus on a specific case study, namely the seventeenth century work Lienü zhuan yanyi, a collection of narratives which according to the intentions of its compiler was meant to be a vernacularization of the Han dynasty collection Lienü zhuan (Biographies of Women) by Liu Xiang (c. 79-8 B.C.). I will present a categorization of the linguistic and textual transformations shaping the yanyi version of the text and, on a second level of analysis, I will try to consider what kind of rhetorical, cultural and ideological factors were at stake in the intralingual transposition of texts.
As a result of these analyses this paper will contend that the yanyi narrative tradition deserves a place in the history of translation in China, while, on the other side, research approaches in translation studies can provide important analytical lenses for understanding the practical function of yanyi texts beyond the categories of literary genres.

Σκοπός της παρούσας μελέτης είναι να εξετάσει δύο από τις πλέον εμβληματικές για τη νεότερη Ελλάδα ομηρικές μεταφράσεις υπό το πρίσμα των πολιτισμικών συνθηκών στις οποίες εντάσσονται και των ερευνητικών εξελίξεων που απηχούν. Όπως υποστηρίζω, οι μεταφράσεις των Καζαντζάκη-Κακριδή και Μαρωνίτη, από τη μια πλευρά,  αποκλίνουν ως προς τη λογοτεχνική απόδοση του ομηρικού κειμένου, καθώς αναδεικνύουν διαφορετικές πλευρές των επών, ενώ επιπλέον παρουσιάζουν απόσταση στις απόψεις τους σχετικά με την ενδεδειγμένη χρήση της γλώσσας, τη θέση του νεοελληνικού πολιτισμού στη σύγχρονη κοινωνία και τη λειτουργία του ποιητικού λόγου. Από την άλλη πλευρά, ομοιότητες στη στάση των μεταφραστών απέναντι στη γλώσσα και την κοινωνία όσο και στοιχεία που μοιράζονται μεταξύ τους τα ίδια τα μεταφράσματα δείχνουν ότι οι δύο αποδόσεις εκφράζουν διαφορετικά στάδια εξέλιξης στο περιβάλλον ενός κοινού πολιτισμικού πλαισίου, με τη δεύτερη μετάφραση να βρίσκεται σε άμεσο διάλογο με την πρώτη, αποτελώντας τον άμεσο συνεχιστή της. _________________________________________________________________
The purpose of this paper is to examine two of the most representative for Modern Greece translations of Homer from the perspectives of the target-culture they fall into and the scholarly developments they reflect. As I argue, the translations of Kazantzakis-Kakridis and of Maronitis, on the one hand, may diverge as regards the poetic rendering of the Homeric text in that they foreground different aspects of the two epics, as well as reflecting diverse views on appropriate language usage, the value of Modern Greek culture in society, and the contemporary role of poetic discourse. On the other hand, similarities amongst the translators’ stance towards language and society, alongside affinities in the translations per se, strongly suggest that the two renderings reveal different stages of evolution in the context of a common cultural milieu, with the second translation being in direct dialogue with the first one, thus registering itself as its immediate offspring.

Intralingual translation has often remained on the margins of translation studies. Despite the ever-expanding research in this field since the discipline began to be constituted as such in the 1960s, interlingual translation has remained its primary subject area. In the hope of expanding the boundaries of the field to include other translational phenomena, this essay looks at specific uses of intralingual translation, with particular attention to the role played by intralingual translation in modernizing the language of literary works in twentieth-century Turkey.

The present study focuses on the challenges of the intralingual translation from the peripheral dialect into official, standard Slovak that has been performed on unique Šariš region dialect fairy tales preserved in the village Fintice. They have been published recently in a bilingual form with their Slovak translation Zazračni dzvonček — Zázračný zvonček (FACE 2018). The first part of the paper points out the peripheral aspects of the analysed text and stresses the importance of presenting such forgotten literary pieces for the community identity as well as for preserving community cultural heritage. The second part of the paper focuses on translation analysis and differences between the two texts on morpho-syntactic and lexical level, and in the degree of expressiveness.

Existing literary translations can be reused in a number of complex ways that extend their lives beyond their publication and reception. They can be used as the basis for intralingual (same language) or interlingual (different language) mediated translations that can range from such things as Polish (via English) into Portuguese translations to regional editions to unscrupulous plagiarisms. Mediated translation tends to distance the target text from the source text. In a study of Raymond Chandler’s The Little Sister in Gallimard’s Série Noire and in three different publishers in Spain, it is found that in contexts that could be characterised as mass market, or “factory”, translation, both inter-and intralingual intermediated translation are used. In the three most recent publication situations involving The Little Sister, while still operating within mercantile models, the publishers use intralingual mediated translation, and also retranslation, to restore target literary texts that...

As some scholars view inter-and intra-lingual translation as a parallel activity, it is vital to establish to what extent the products of these processes are alike, and whether the processes themselves differ. This paper investigates stylistic simplification, a frequently hypothesised translation universal which involves, among others, breaking up long sentences in the process of translation (

Albahari's short story "Learning Cyrillic", translated from Serbian into English by Elias-Bursać, combines three languages-Serbian, English, and Blackfootand two scripts-Latin and Cyrillic. This article uses the story and its English translation to examine the destabilisation patterns in the concepts of intra-and interlingual translation that occur in a multilingual text. The paper argues that translational relations are not given but rather contextually determined in each case. Elias-Bursać's multilingually and graphically aware translation disrupts the traditionally predictable behaviour of 'source' and 'target' by obscuring the presumed one-to-one correspondence between them. In arguing for a scalable minimal unit of translation, the paper adapts Jin's (2017) metonymic approach to 'close' and 'distant reading' to fit the translational agenda. The asymmetry between the 'source' and 'target', along with a scalable minimal unit of translation, reinforces the pertinence of a contextual framework in the study of multilingual literature's translational relations.

Under the dynamic and diversified online mediascape in China, the traditional roles of intralingual subtitles have gradually shifted as they have become an integral part of entertainment and one of the main content types for consumption. This study addresses a relatively underresearched but growing practice of intralingual subtitles used on Webonly shows in China. Using examples from Mars Intelligence Agency, this study attempts to describe the nature and characteristics of intralingual subtitles and to explore their sociocultural significance in today's digital environment from a postmodern perspective. The results show that the changing role of intralingual subtitles, from traditional referentiality to a more emancipatory form of spectatorial consumption, challenges the power structures in traditional TV and exhibits a postmodern way of consumption. This shift lies at the heart of the dynamism of online mediascape in China and is inseparable from the formation of a Chinese postmodern consciousness.

This is part 2/2 of a joint presentation.
The writing of commentary and subcommentary was such a well-established and common
feature of literary and intellectual culture of traditional China that it is mostly taken for granted,
while the crucial role played within this activity by practices of rewording seems so obvious and
necessary that it is rarely analyzed explicitly and even less frequently described in light of
translation theories. The consequence of this situation is twofold: first, the general lack of
references to the dynamics of intralingual translation in accounts on the history of translation in
China; and second, the subsequent overlooking of terms, concepts and categories not directly
related to interlingual translation but meaningful if considered from the perspective of
intralingual translation.
This paper will discuss the role of rewording within Chinese commentarial tradition by presenting
a comparative analysis of excerpts from different commentaries and subcommentaries (dating
from the II c. to the XIV c.) to the canonical anthology Book of Odes (Shijing) and, in some
cases, to the commentaries themselves. It will describe the general characteristics of rewording
practices within each single text as well as between texts, and define the parameters informing
these practices (Zethsen 2009) considered in a broad diachronic perspective. The aim is to
consider if and how stylistic variants and discursive strategies within different but interrelated
commentarial sources may reflect different latent translating impulses.
This case study is typical of the collaborative endeavor described by copresenter in part 1/2,
aiming at highlighting sometimes unsuspected translational strategies in the context of the East
Asian pluriglossic situation.

Rational foundations of conceptual translation. The case of Hegel - Heidegger Phenomenology in the works of Alexandre Kojeve. Article 1

Впервые на русском языке исследуется «Заметка о Гегеле и Хайдеггере» Александра Кожева. Анализируется попытка Александра Кожева обосновать взаимную переводимость философии Гегеля и философии Хайдеггера. Изучены аргументы Кожева о единстве философии Гегеля-Хайдеггера, о проблемах гегелевских и хайдеггеровских текстов и их дополнительности. Аргументы о единой философии Гегеля-Хайдеггера сопоставлены с проблемой релятивизма мировоззрений и их происхождением из проблемного начала философии и возможности иного начала. Реконструируются принципы концептуального перевода, предпринятого Кожевом. Обосновывается антирелятивистская позиция универсальной рациональности в концептуальном переводе Кожева. Ключевые положения концептуального перевода Кожева сопоставляются с общими позициями гегельянства и критикой идеи «концептуальной схемы» Дональда Дэвидсона.

The article is the first study of Alexandre Kojeve’s “Notes on Hegel and Heidegger” in Russian. The article presents an analysis of Alexandre Kojeve’s attempting to prove the mutual translatability of Hegel and Heidegger philosophy. The arguments of Kojeve’s on the unity of the Hegel - Heidegger philosophy, on the issues of Hegelian and Heidegger texts, and on their complementarity are studied. Arguments on the common philosophy of Hegel - Heidegger are compared with an issue of relativism of worldviews and with origin of worldviews from the problematic beginning of philosophy and the possibility of another beginning. The author reconstructs principles of the Kojeve’s approach to the conceptual translation and substantiates the anti-relativistic position of universal rationality in his conceptual translation. Key theses of Kojeve’s conceptual translation are compared with the general positions of Hegelianism and with a criticism of the idea of Donald Davidson’s “conceptual scheme”.

Часть 2: http://bit.ly/2OMBtRP

This article focuses on the Turkish Language Reform and the practice of intralingual translation in Turkey as the updating of archaic or older texts, an area that has been largely overlooked in previous theoretical discussions within translation studies. It examines the ways in which the “purification” movement gave rise to intralingual translations of Ottoman Turkish literary works and affected the language of these translations and Turkish literature after 1928. This study argues that intralingual translations in Turkey cannot be divorced from the nationalist agenda and that they reveal linguistic, translational and ideologi- cal norms of the period when these translations were produced. Furthermore,
it demonstrates that the presentation of and discussions around intralingual translations also shed light on the practice and perception of interlingual trans- lations and on Turkey’s relationship with her Ottoman past.

This paper presents a preliminary discussion of the status of translation
practices embedded in the commentarial entries of the Yuan dynasty
anthology Du lü yanyi 杜律演義 [Explanation of the Meaning of Du
Fu’s Regulated Verse] by Zhang Xing 張性. The research moves from
a definition of ‘translation’ that extends beyond the prototypical discourse
on the relations between different languages to encompass more
varied discursive processes and products within a single language and
more extensively within the field of metaliterature. As a case study, the
paper examines the characteristics of the commentarial entries appended
to two poems of the sequence “Qiu xing ba shou 秋興八首” [Stirred by
Autumn] in the anthology Du lü yanyi. It analyses how the commentarial
notes are related to units or whole portions of the poetic prototext, and
for what purpose. As a result, the paper brings to light the juxtaposition
and the combination of two fundamental approaches to the mediation of
the prototext: one leaning towards commentary by way of explanatory
reformulations, and the other leaning towards translation in the form of
imitative reformulations.
Keywords: Commentary; intralingual translation; prose reformulation;
simplification; Du lü yanyi; Du Fu reception

Lienü zhuan yanyi 列女傳演義 (Volgarizzamento delle Biografie di donne, di seguito LNZYY) è un’opera in sei juan 卷 pubblicata a Suzhou 蘇州 nella seconda metà del XVII secolo e costituisce un volgarizzamento del te-sto Han 漢 (206 a.C.-220 d.C.) Lienü zhuan 列女傳 (Biografie di donne, di seguito LNZ) di Liu Xiang 劉向 (ca 79-8 a.C.).
In epoca imperiale il LNZ di Liu Xiang fu uno dei testi canonici di edu-cazione femminile. L’opera ispirò la tradizione di biografie di donne illustri che divenne parte integrante della storiografia ufficiale a partire dal testo Hou Han Shu 後漢書 (Storia degli Han Posteriori), e alimentò un impor-tante filone di riedizioni arricchite di nuove biografie, le cosiddette versioni gujin 古今 (passato e presente), e talora di illustrazioni . Il LNZYY appartiene a questa seconda linea di testi e si distingue per la centralità assegnata dal compilatore alla dimensione linguistica e a quella narrativa ai fini di una più ampia diffusione delle storie, oltre che per alcune novità di contenuto.
Questo contributo rientra nell’ambito di una ricerca che ho in corso sull’opera e che si propone di indagare il ruolo della dimensione traduttiva nella definizione e interpretazione di yanyi 演義 (elaborazione, esposizione, volgarizzamento) all’interno della narrativa tardo imperiale . “Traduzione” e “riscrittura” sono i due concetti chiave di questa ricerca e, come ha suggerito Nergaard (2005) sulla scia di Jakobson (1959) e Lefevere (1992), segnano un continuum entro il quale testi più o meno diversi sul piano linguistico e semiotico si relazionano tra loro in maniera traduttiva.
Considerare la relazione traduttiva che lega testi lontani sia sotto il profilo diacronico sia sotto quello diastratico costituisce a mio avviso un importante strumento analitico per la definizione del concetto di yanyi, in particolare nel XVII secolo.

This paper explores epitexts and peritexts (prefaces) written by translators to intralingual translations. It carries out a preliminary study on several translator's prefaces (here called 'translatorial prefaces') in the Japanese context to determine the function that said prefaces have within modern Japanese translations (or gendaigoyaku) of Japanese classics, to examine translation methodologies and translation issues found in the texts, and to ascertain the level of self-awareness that intralingual translators had with their role as 'translators'. Ultimately, this study aims to contribute new approaches to the ongoing discussion regarding intralingual translation and the study of paratexts, both in the Japanese context and in a broader sense.

Esen, Esin, “The Intralingual Translations of Murasaki Shikibu Nikki: A Comparative Study through the ‘Reader-listener Responsibility’ Approach” International Workshop on Intralingual Translation, Boğaziçi University, 27-28 November 2014, published abstract, p. 7-8.
Esen, Esin, “Murasaki Shikibu Nikki’nin Diliçi Çevirileri: ‘Okuyucu-Dinleyici Sorumluluğu’ Açısından Karşılaştırmalı Bir Çalışma” International Workshop on Intralingual Translation, Boğaziçi Üniversitesi, 27-28 Kasım 2014, yayınlanmış özet, s. 7-8.
エセン・エシン, 「紫式部日記の言語内翻訳・聞き手責任の視点から比較研 究」International Workshop on Intralingual Translation, Boğaziçi 大学, 2014 年月27-28 日, published abstract（英語の要約）, pp. 7-8.
Murasaki Shikibu Nikki(MSN) (1008-1010) is the diary of the Lady Murasaki the prominent woman writer of Japanese literature, her diary contains records from court life and some scarce information about her own life.
This paper deals with MSN through the 'reader-listener-responsibility’ approach which is a part of language typology set forth by Hinds(1982) where 'not verbalized' items or ambiguity seen in the speech/text are usually filled by the reader-listener (Esen,2013). Relevance theory using explicature and implicature approaches provides a method for translation of these items (Esen,2014)
In this study, the excerpt titled "A nick name: Lady Chronicle and Girlhood Reminiscence" of MSN has been selected for the analysis due to the different types of "attitudinal-expressions"(taigū-hyōgen) while highlighting background about the writer.
For comparative analysis, four intralingual translations dating 1933, 1954, 1965, 1994 have been selected on the basis of the influence of the following facets on Japanese language: i) Japanese language policies such as 'standard language"(hyōjungo), "the unification movement of the spoken and written language"(genbun'itchi) ii) The influence of translated literature within the literary polysystem iii) "Greater-Asianism"(Dai-Ajia-Shugi) iv) The changes in the language policies in Japan after the defeat of World-War-II. v) The influence of English on Japanese from 1945 to present time.
The source text will be analyzed using the 'reader-listener-responsibility' approach, while also identifying syntactical (ellipsis, ambiguity), semantical (implicit meaning, ambiguity, gap) aspects. These results will be compared with four intralingual translations of the diary by focusing on explicature or implicature in the target texts.

Key Words: Classical Japanese, intralingual translation, literature, ‘reader-listener responsibility’, relevance theory